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Claire's best film image
Rosalee 2022-01-19 08:02:12
There is no doubt that this is Claire's most outstanding and successful film in film performance, although her early films with political factors and social concerns have not received so much attention from film festivals or film manuals. The aesthetics of the wilderness and the human body in the movie, the still shots and the separated jumps of the blockbuster, the multiple interpretations of the overall narrative of the story, and the seamless link between consciousness and reality are amazingly perfect. This is a movie worthy of scrutiny and torture, and it is also a movie that is difficult to see clearly the first time.
Extended Reading
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Lee 2022-04-21 09:03:11
low of universal gravitation. The camera captures the movement of the body and the stillness of the emotion, but it expresses the silence of the body and the surging of the emotion. The ravings in Denilawang's heart are to convince, comfort, and paralyze himself. What he loves is the beating symbols in the desert, or it's just that he doesn't love the alienated self. Holding the dagger and diving into the sea, the bright red blood flowed into the sea, and looked into the sea through the iron net. Denis' philosophical power is too condensed.
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Conner 2022-03-19 09:01:08
YY's so boring, the bald Zhengtai and De Ni Lawang spoke to me very much
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Commander Bruno Forestier: [subtitled version]
[in Russian]
Commander Bruno Forestier: Why did you join the Legion?
Legionnaire: [in Russian] Commandant, you know what it's like in Russia. No money, no work. I was in the army there for two years. I fought for Russia. But it's impossible to fight just for an ideal. An ideal that just keeps changing. You know what I mean?
Commander Bruno Forestier: [in Russian] What ideal?
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Galoup: [subtitled version] Maybe freedom begins with remorse. Maybe freedom begins with remorse. I heard that somewhere.