, just like Arabian fairy tales, there is always a story in the story, let the people in the story tell another story, the story of Aladdin and the slave girl Zuma Du, the story of the king and the queen betting on Az and Azna and Danya The story of the two painters respectively told their own stories. Pasolini’s narrative neutrality is everywhere. Visibility and love are entangled but they seem to have no relationship. All people are natural and not at all hidden and distorted by Aladdin. In the process of searching for the missing beloved Zuma Tuk, she was "tempted" by a middle-aged woman in one year and promised him to help him find Zuma Tuk. In fact, the word "seduce" is really inappropriate here and I met three women later. He took turns looking for pleasure and love with him, and he was also happy to say that he didn’t feel guilty at all, and everything disappeared after waking up. He cried out the name of Zuma Du and walked to the depths of the desert with a sad voice. A man in the Middle Ages, an Arab for
My desires and feelings are so calm and calm. Some people say that Pasolini’s movies are dirty, but I think that the beauty of sex here is the most beautiful form. Perhaps it is a certain aesthetic for sex that modern people have lost. Even the king. Bet with the queen that the two 15-year-olds only marveled at each other's physical beauty after waking up and fell in love with each other and had sex with each other
The story of Azina and Azina seems to be told in correspondence with Aladdin and Zuma Du. Compared with Azina’s cleverness (to explain Danya's gesture for him), Azina’s cousin treats him as a pity. With a lot of pain, he couldn't find such a beautiful woman as Azna, so he went to pursue a dangerous strange Danya. After he pursued Danya at the expense of Azna's life, he again felt sorry for Danya. Latin’s infatuation. He finally got the price of being castrated. He deserved it. This man lost because he was too stupid. Aladdin went all the way to find Zuma. On the road, he would have sex with other women, but it was natural but he wouldn’t fall in love with them. When he wakes up, he will cry and call Zuma Du to the beasts encountered in the desert and say: "You can eat me, eat me and I won't suffer anymore." And the stupid Aziz once and again with the true love around him. Passing by, I don’t know how to grasp it forever, and there’s no chance to regret it.
Finally, Aladdin and Zuma have finally reunited. Like all Arabian fairy tales, they are separated. They are legendary. The search is legendary. Even reunion is also legendary. I like the atmosphere of this movie. It’s like going back to when I was a kid holding a copy of "One Thousand and One Nights" and looking at the past, thinking about having an adventure like a fairy tale
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