It has never been a simple matter to squeeze a full-length story into a movie. Of course, like Tsui Hark, you don't have to worry too much, because his style is unconstrained. But Ye Weixin couldn't bear to choose, and preferred to speed up the rhythm. The result was that the plot was extremely pale, and even made me yawn several times. Especially when Dong Jie picked up the Buddha beads, I almost wanted to say to her, don't pick them up, let them die quickly.
As for this subject matter, Yen Zidan obviously can't do the hard bridge and hard horse in "Slaying the Wolf" again, but as a martial artist, he designed both positive and negative actions to be commendable. Although due to the heavy pressure, several fights are not enjoyable, but at least it is not ugly. After all, this is not a movie where Donnie Yen used his fists to flatten everyone, as well as Shawn Yue and Nicholas Tse.
Dong Jie, I always think she is a pure vase. This time I strengthened my understanding. Li Xiaoran is obviously more flesh and blood than her. Back then, Wong Kar-wai's "Fallen Angels" allowed Li Jiaxin to get rid of the title of "the most beautiful vase", and if Dong Jie were to act in a movie, this little Nizi would have to go for a vase.
It's right not to watch the premiere. It is said that Hong Kong filming has ushered in the era of Donnie Yen, but Dan is not young anymore. Who will pick it up?
In addition, the title is not bad.
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