The emotional entanglement of several people seems naive, but it is very real. Although the plot changes quickly but not abruptly, love is often like this. Coming and going in a hurry, today’s loser may be lucky tomorrow, and what makes others painful today may be crying tomorrow. Some classic old movie clips were guest starred in the film, which is regarded as the director's own preference to grab the shots. In the whole film, the spotlight brings a dramatic stage effect very interesting, I don't know if it is original or not. The heroine burst into tears through Nikolai picking up four consecutive ID photos in the photo booth. When Nicolas and Antonio put Luciana in the car, one person sat on the ground at the intersection and drew a chalk drawing. Using him as a quiet point, the other four left from different directions at the intersection. The scene where Johnny’s wife was sitting in the red car on the dump after her death also liked the scene. She wanted to use her "love affair" to stimulate Johnny to pay more attention to herself. Maybe it was a lie. Who knew Johnny would not be moved. In the red car, her "ghost" asked: Am I important to you now? The answer is, if a person is not important to me while alive, of course it is not important even when he is dead.
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