Take another blow

Westley 2022-01-22 08:02:14

To watch Pasolini's movies, you must first be mentally prepared. I almost broke my nerves while watching "120 Days of Sodom", and I was too dirty to eat when watching "Decameron". Look at the introduction before watching this movie. It is said to be a more positive one, so I thought it wouldn't be so uncomfortable.
The result was still hit.
The first is boring: a story is a story, and it is not clear. I am most afraid that someone will say to me: Come, let me tell you a story.
The second is ugliness: the actors are uglier than the other, their faces are also uglier, and their bodies are also ugly. They don't know how to act, and they start to giggle after they recite the lines. But there is excuse: In 1974, only people who had no capital were willing to make Pasolini's films, right?
Dirty: After reading it, I really have no illusions about sex.
After watching the three movies, Pasolini is far from being a pornographic film master, but just a pornographic who loves movies.
Let's take a look at Tindo Barras

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Extended Reading
  • Tate 2022-04-23 07:04:08

    My ppp is still so beautiful, and Uncle Citti is really good at acting.

  • Zula 2022-03-20 09:02:47

    The last part of the trilogy of life. In the mid-1970s, Pasolini was actually abandoned by the times, and both literary colleagues and political comrades were disappointed in him. So he flees more resolutely to lust and the old age, fleeing to fictional stories. But choosing to shoot "One Thousand and One Nights" is not a clever idea. It is more trivial than the story of Chaucer and Boccaccio, and has no foundation and no focus. Pasolini's shot can't be shot, it's rusty

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