It is said that this film pays tribute to the last tango in Paris, and it is probably the most emotional one in Wang's works.
Starting from the Mood for Love, Wong Kar-wai became more mature. Middle-aged feelings gradually penetrated into the story. But Eros. Hand is different from 2046 or In the Mood for Love. It is more sad and less gamey. The queen heroine Maggie Cheung has never moved us like this: the old opera bones are on the contrary, the traces of the performance are too deep, and the rich expression on her face is like a digital channel switch. Repeated demonstrations in various Hong Kong films, it is hard not to let people. Bored. On the contrary, Gong Li, who has always been silly and exaggerated by the mainland academics, glowed with an unprecedented brilliance. She is really as high as the Queen of Sheba, saying that Zhang Zhen would have to take off her pants, and took away/possessed his virginity without any distinction. From then on, he became a devoted fan of her last year. The power of lust is greater than the sky, it is a dark road to destruction.
Music is the most important reminder. Gong Li masturbated for Zhang, the repetition of this last melody, and the trembling of Xiao Zhang when he put the gloves into the cheongsam, everyone who watched was secretly shocked. There is no tension when you really go to bed.
At first I thought Eros. Hand was similar to 2046. Later, I realized that because of the plot limitation, this relationship was more concentrated and more thrilling. After adolescence Xiao Zhang was captured by the sex queen, he was willing to be a slave for life. Xiao Zhang peeped at Gong Li, and we peeped at Xiao Zhang, only to bring deeper despair and deep-seated sadness.
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