Unfortunately, although the action is good-looking, but the drama is weak. The plot of the previous part was too fast, as if rushing to the end, Wu Yuanying and Han Zhibang went to Tianshan in a blink of an eye, and in a blink of an eye they gained the trust of Master Huiming, and then presented the second of the seven swords, which made the audience puzzled. But in the middle, the plot focused on the feelings between Goryeo's Luzhu and Chu Zhaonan, as if to give Kim So-yeon a period of time to play. Is this move to sell the city in South Korea? Later, it was even more funny, as if to "speak" everyone's background to the audience. Using dialogue to explain the identity of the three swords in the seven swords was really the most "low-pretend" (bad meaning) technique. Also, in the end, the relationship between Fenghuoliancheng and Luzhu is unclear. Are they the same person or two people? I can't tell the difference after reading it. Chief Tsui Hark, let's use the "fighting to death" (only fighting) technique of the Huang Feihong series to make movies.
The casting is serious and good this time. Although most of the actors are actors who are not known by the Hong Kong audience, they all perform well. The most prominent is that they are very arrogant and have outstanding personalities such as Xin Longzi, Liu Yufang, and Liu Yufang. Han Zhibang and Mulang are also very good. In addition, the funniest thing in the whole drama is the name of Zhang Huazhao's father!
http://www.yiklung.net/blog/archives/2005/08/07/300/
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