Robots vs. Monsters. There is almost nothing to be picky about, so let me talk about the sad humans! Ha ha ha ha.
ㄅThe previous story has a lot of background introductions and should be deleted. It is better to start directly from the Bate brothers being woken up at 2 in the middle of the night or the fishing boat discovering the monsters, because I spend the money to see them send out to fight the monsters. The background setting can be added slowly.
ㄆI don't want to know that the protagonist Allais is unwilling to engage in inner struggles of mental floating connection after his brother died, especially the struggle in the play is almost weak, so it is not sensational enough. It should be shot like this: Allais wanted to avenge his brother, but his body was severely injured and he could no longer drive the Gypsy. So he worked hard every day to rehabilitate for the past few years, hoping that the International Coalition Army would give him a chance, but he was always rejected. Next, just like the original script, the international cut off the source of gold, and the coalition army became independent. The marshal found Allais because he was the third-generation hunter driver and climbed back to the coast independently. This part also happens to make up for the background settings that were previously deleted. Because I spent the money to see them send out to fight the monsters, what's wrong with the horse's driving robot, and I refused! Son of a bitch.
ㄇMako is the adopted daughter of the marshal, so the story of the marshal in order to protect her and not let her become a hunter is very boring, because everyone knows that she is set, it should be filmed like this: Mako is responsible for the modification of the gypsy, because he is very familiar with the structure of the mecha, The battle simulation results were good, and he became the co-pilot of the gypsy directly, but Allai did not trust her until after the floating connection, the connection between Allai and Mako was good enough that he was satisfied with the first officer. Of course, the connection can still go wrong, so that Alai can see Mako’s memory. At this time, the battle between Wolf Warrior Tango and Scissor Monster should not be lazily hidden. I have to show everyone the whole thing, because I spend the money to see them move out. Monster. Here, Allai can give Mako some stability, so that the later feelings will be more convincing.
ㄈThe action of the two doctors and Hannibal Zhou is the best human part of the movie, because their topic revolves around the monster, so there is no need to change it.
ㄉThe three Huang Lixing have almost no points other than playing basketball. This is wrong. The Chinese plane must at least cooperate with Che Nuo Alfa to kill a strange one, and should take a little shot of the cockpit and combat uniforms. After all, I pay to watch them. Those who are dispatched to fight monsters, like this movie, only appear for a second, super insincere.
ㄊWhen the Australian father and son file is brought to zero combat power by EMP, the monster should punch the Discovery, so that it can kill the old Australian man. Who wants him not to wear a seat belt, deserve it, and then there will be a dead monster in the Gypsy. , HOOORAYYY! ! ! Once the old Australian man dies, you don’t need to watch him break up with his son. After all, I spend money to see them go out to fight monsters. It’s a waste of life to engage in emotional dramas, hugging and crying, and when the father controls his son to fight monsters, he can shout: "This boxer will be given to you on behalf of my father!!!" or "Dad, I'm here to find you for dinner!!!" and "My child is not filial!!!", the emotional score is almost full score, and I will send myself ten exclamation points! ! ! ! ! ! ! ! ! !
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