Use the blood and tears of the dead house to compose a second and second hymn

When Gilmour del Toro wrote a long thank you people subtitles for "Pacific Rim", it was more like a monument to an era and the legendary representatives of this era. Although the great gods from the ACG circle of Dongying have become famous all over the world, they really still lack an immortal masterpiece that can make people remember the action of mecha, the monster movie, and the super soul; and this regret is no longer shelved, as Gilmour, the new generation darling of the global dead house, just like everyone thought, it's time to act.
The wonderful audio-visual experience brought by "Pacific Rim" may encounter two situations. Looking at the bleak box office in North America, it seems to be a glimpse, that is, those giant robots and big monsters can no longer afford groups other than otaku. Our appetite. Under the ravages of a series of metal-based sci-fi action movies such as "Transformers", "Terminator 2018" and even "Special Forces", people have already experienced aesthetic fatigue for high-concept large-scale sci-fi works in Hollywood, and there are various kinds of robot movies. Types have long been over-consumed, and people can easily bypass these roaring, violent, earth-shaking scenes and focus on many more down-to-earth small productions. But for another group of people, this movie is like an ultimate carnival. At the moment when the house is full of the world, it is enough for you and your friends to cheer and cheer in front of the big screen. A handful of tears. Fighting monsters, mechas, giant robots, neuron network control, which science fiction kid has not experienced the baptism of these massive elements, when a movie with 200 million productions, real people, powerful special effects creation, one of the best hardcore monsters Directed by the great director of the otaku, everyone has a reason to have a bloodline, not to mention that he is really excellent.
Compared with the previous robot movies, Gilmour has made a lot of money to create a true and believable worldview scene. This can be felt from the nuanced data, performance differences, and timeline evolution of the story structure of various types of mecha fighters. Of course, the various settings in the film, and even the appearance of the monster are also borrowed from and pay tribute to many ACG works of the same type, which can easily give you a sense of sight in watching the movie. Gilmour uses the technical performance techniques and American heroism of Hollywood live action movies to package such a mecha Brawl (many animation works, EVA, Gundam, King Kong...) plus monster special photo (Japanese traditional monster) Movies, special films) core work, which is almost something that no one has done before, and the visual impact and shock caused by it is naturally conceivable. The main climax of the film comes to an end, the beginning of the incident and the fiasco of the "Dangerous Wanderer" and the battle of Hong Kong. The magnificent and magnificent action battle scenes, the mecha fighters fighting with monsters and the tragic urban disasters that were destroyed to the dust are all displayed by Gilmour's sophisticated VFX technology, which surpasses the viewers. In the past, the works were limited by the two-dimensional or small play, and obtained a visual spectacle that can only be experienced in Hollywood's top productions, and this new grafting will naturally make the houses bursting. N brush action is imperative. In addition to the big scenes, the film did not ignore the interpretation and shaping of the main characters. Brotherhood, father and son love, love and affection were not left, and the sensational G-spot was full, especially the two strange chicken otaku scientists in the base. It's a trick, and in conjunction with the monster merchant played by "Hell Boy" Lampelman, people find Gilmore's evil taste in an instant. The rhythm of the whole movie is smooth, and the pleasure of watching the movie is released to the full. The editing and mirroring can be regarded as the model of giant sci-fi action movies. Both the technical level and the core complex can almost make similar works like "Transformers" reflect on it. After all, this is a great gift for the dead house, and you will understand it at first glance.
Gilmour dug a big hole for himself with the blood and tears of his dead house and 200 million US sons. Although the box office is big in Yalishan, this bloody surprise may continue to reverberate in countless bedrooms and four-and-a-half-folded worlds for a long time. Every lonely early morning makes you cry and scream, whether it is the second and late stage of saving the world or the strange rhythm of children running everywhere, "Rim of the Pacific" is worthy of our praise until another dimension.

[Tianya Premiere] "Rim of the Pacific": Composing a second hymn with blood and tears from a dead house
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