Suspense model play

Cale 2021-10-13 13:06:17

This play meets the standard elements of a suspense model play:

1 plot rule one, the story is divided into several paragraphs, the normal viewing order, the suspense story has no bright spots, and it can be divided into several sections to blur the audience's sight;

2 plot rule Second, the two-line narrative, there is no clear boundary between the real story and the virtual story.

3 The rule of figure, there must be a villain with a cheat, and a cult figure with a blurred background. This is the golden routine of many suspense films. Without this setting, the show can't go on. If the background narrative is sufficient, for example, there is a very clear tragic life experience, it will become a second Japanese manga. American blockbusters do not like this set, and many people are convinced by the villain’s IQ and charm. This is very important. For example, the second part of Nolan's Dark Knight has a higher evaluation than the third part. Because the background of the clown is unknowable, but Baine and the girl have a tragic life experience.

4 The law of trick, countless details of spoilers, both images and language, suitable for textual research and detailed control. Just like the prompt description in the detective novel, only after seeing the murderer do you come back to realize it.


The most critical part of the suspense drama is that the police must be stupid and incompetent. If you want to replace it with our people's public security, the investigation method can destroy you, and will never give you the opportunity to become a legend.

In fact, I don’t love this kind of film where justice is defeated by evil, but it makes the most of light and shadow to create a suspenseful atmosphere. Although many of them are blindfolds, the template teaching materials for suspense movies are nothing to say about the spiritual realm. Meaning.

However, as a Chinese, the narrative mode I love is Shan Tianfang's storytelling. The background characters are all clear to you, but you still find it attractive.

View more about The Usual Suspects reviews

Extended Reading
  • Camden 2022-03-22 09:01:03

    The flashback presentation technique of "The Very Suspect" immediately caught people's attention and gradually became better. The film then broke the public’s inertia logical thinking one by one. The unpredictable ending is a murder case. It has created a very subtle sense of suspense, and the production of multiple suspense is breathtaking and exciting from beginning to end.

  • Ron 2022-03-22 09:01:03

    The police station card at the beginning of the film indicates that the bridge segment has become a classic (the snicker is rumored to be because an actor fart at the scene), and Stephen Chow's God of Cookery is following suit. But the whole movie is too much like an expansion of a short drama that is only a burden for the ending of the shaking. The reason for the expansion is that the part of the burden, that is, the part of the police and the limp, you ask me and answer, it is too short and very insufficient. With a standard film length of about 100 minutes, it can only be complemented by flashback narratives. But embarrassing. These flashbacks that take up more space are just some Hollywood police movies. They deal with errands and are unconventional. They lack the visual and suspenseful excitement that can drive the emotions of the audience. As a result, when you finally shake off the burden, they are all tired...

The Usual Suspects quotes

  • Kobayashi: Before you... do me in, Mr. McManus, you will let me finish my business with Ms. Finneran first, won't you?

    Keaton: What did you say?

    Kobayashi: Edie Finneran. She's upstairs in my office for an extradition deposition. I requested that she be put on the case personally. She flew in yesterday. No matter. Kill away, Mr. McManus.

  • Verbal: He lets the last Hungarian go. He waits until his wife and kids are in the ground and then he goes after the rest of the mob. He kills their kids, he kills their wives, he kills their parents and their parents' friends. He burns down the houses they live in and the stores they work in, he kills people that owe them money. And like that he was gone. Underground. Nobody has ever seen him since. He becomes a myth, a spook story that criminals tell their kids at night. "Rat on your pop, and Keyser Soze will get you." And no-one ever really believes.