As soon as I watched change 4, the spray mode was automatically activated. The happier selling copies, the more depraved. I thought that changing 3 would be bad enough. I didn’t expect the fourth part to hit my psychological line of defense again. The context is chaotic, and the structure is loose, unlike the work of the first-line director; the military's role has indeed decreased, but the number of human disturbances has only increased, and the dialogue is bloated and jokes are not feeling; all the characters are always in a chase In the crisis, the audience often forgets the reason for the sense of crisis; the robot dinosaurs left an Antarctic foreshadowing at the beginning, but suddenly appeared elsewhere; in the second half of the chaos to the director’s out-of-control situation, Li Bingbing inexplicably changed from a commercial executive There are dozens of girls, Lu Liangwei and Han Geng have a feeling of entering the set by mistake; selling copies are obsessed with the explosion scenes, they are nowhere to be exploded, and they end in explosions everywhere; if the ad is placed to grab the scene again, maybe the director still does not forget himself He was a commercial director, and he made such a big movie in order to make a commercial. Even if it didn’t satisfy me, the people in the midnight show were still Wuyang Wuyang. I really agree with that sentence—there is a lot of money and people are stupid.
View more about Transformers: Age of Extinction reviews
