The ending of Gouweixu Mink is probably for box office considerations? Anyway, before the heroine escaped from the basement, I watched it with gusto, and I have been thinking about it: suppose this film is not a science fiction film at all, but an out-and-out psychological thriller. When the heroine does the illusion of destruction of the world , If the heroine is not found out about his previous murder, will the heroine take the initiative to run out? If she believes in her heart that the outside world is insecure and must hide in the basement, will she treat him honestly for three or five years and let the actor play with him, including having children? ? This is a very scary question: sometimes, the psychological cage is more terrifying than the real cage. This is the real theme that this film wants to express.
If I wrote the script, the end must be: the heroine escaped from the basement, the sky is clear and cloudless, but she raised her eyes and looked around, the surroundings were as quiet as night, lifeless, she was full of surprise, drove madly, and the lifeless highway. It seems endless...
When you are imprisoned in your heart, even if you hand the key to you, you dare not get out of it. What a sad and common human dilemma this is!
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10 Cloverfield Lane reviews
