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Master's handwriting, don't worry
Karley 2021-10-20 17:39:56
The original intention was to give only four stars. It was not until the final portrait and jam that this was a masterpiece that had to be given five stars. The mirror is very tolerant, restrained, does not play with spears, matches the background of the times, and has a stable narrative, but the layout is grand and majestic, and it is full of the dangers and depths of the adult world. Not all top-notch directors can shoot. Feelings require a deep understanding of human nature, society and the background of the times. Tom Hanks and Mark Lillance contributed textbook-like acting skills, turning the performance into a magnetic field and state.
Extended Reading
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Rudolf Abel: Standing there like that you reminded me of the man that used to come to our house when I was young. My father used to say: "watch this man'. So I did. Every time he came. And never once did he do anything remarkable.
James Donovan: And I remind you of him?
Rudolf Abel: This one time, I was at the age of your son, our house was overrun by partisan border guards. Dozens of them. My father was beaten, my mother was beaten, and this man, my father's friend, he was beaten. And I watched this man. Every time they hit him, he stood back up again. So they hit him harder. Still he got back to his feet. I think because of this they stopped the beating. They let him live. "Stoit i muzhik," I remember them saying... "stoit i muzhik." Which sort of means like uh, 'standing man'. Standing man...
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James Donovan: [forced to leave dining room before eating his meal] Enjoy your big American breakfast.