Science and Religion

Monroe 2021-10-20 17:39:55

Angels & Demons

Angels & Demons

The content of the novel the movie onto the screen so that some of our architectural scene of the novel, such as the Vatican St. Peter's Square, etc. But why had the impression that every time are deleted an important plot it has its own character adaptation of the story line too blind anger

this The theme of the novel should be the unity of science and religion, that is, science and religion work together and complement each other in harmony and unity. Therefore, at the end of the novel, the design of the pope’s servant was killed by the European nuclear director. The former pope was killed because of the illegitimate children. He was killed and the childhood experience of the director of the European Nuclear Center. The origin of the Pope’s servant. These are conflicts between religion and science, and cooperation with each other. ⊙﹏⊙)b

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Angels & Demons short comments

  • Eloy 2021-10-20 19:02:49

    The shots without Ewan are distracting...

  • Trystan 2021-10-20 19:02:47

    The story is pretty boring. Reasoning is rubbish. The feeling of no trailer at all. In the trailer, the group of cardinals stood together. It felt spectacular. There seemed to be something incredible, but in the film, those people were just standing there and walking around.

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Angels & Demons quotes

  • Robert Langdon: [Swiss Guards Offices Corridor. As Langdon and Olivetti walk, Langdon studies the row of statues of male nudes that line both sides of the hallway, all wearing fig leaves] The Great Castration.

    Inspector Olivetti: I beg your pardon?

    Robert Langdon: 1857. Pius IX felt the male form might inspire lust, so he got a hammer and chisel and unmanned two hundred statues. These plaster figs were added later.

    Inspector Olivetti: [Olivetti stops abruptly, outside a heavy steel door with a security keyboard beside it] Are you anti-Catholic, Professor Langdon?

    Robert Langdon: Me? No, I'm anti-vandalism.

  • Robert Langdon: [Swiss Guards Offices corridor. As Langdon and Olivetti walk, Langdon studies the row of statues of Male nudes that line both sides of the hallway, all wearing fig leaves] The Great Castration.

    Inspector Olivetti: I beg your pardon?

    Robert Langdon: 1857. Pius IX felt that the male form might inspire lust, so he took a hammer and chisel and unmanned hundreds of these statues. These plaster fig leaves were added later.

    Robert Langdon: [Olivetti stops abruptly outside a heavy steel door with a security keyboard beside it] Are you anti-Catholic, Professor Langdon?

    Robert Langdon: Me? No, I'm anti-vandalism?

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