Desperately poke yourself with your horns

Belle 2021-10-20 19:01:48

Songren Weixiu's second brush, the body is very good! A rough and vigorous description of chaos (noisy soundscape), 40s style (such as Body and Soul, Life magazine), but the uniqueness of anger and instability burst even more. The black and white tone makes the background of multiple scenes (boxing matches, clubs, bars, prisons, etc.) canceled, smoky, and consistent; the rebate also continues to the protagonist set of The King of Comedy. The play is actually quite simple, grabbing the man’s flaws (suspicion, arrogance, vain, and eventually swelling, a bit of thinking of the greatest American dream tragedy Citizen Kane), and it also makes women’s positions and opinions clear (Cathy Moriarty has A few scenes think of Kim Novak), but he is essentially just a poor boy who wants to succeed. On the ring with melancholy notes, a ray of ghost punching the void, how much young can he control his body (and hit his opponent hard), and later he even weighs It can't be controlled, let alone the complicated sophistication.

Evangeline 2021-10-20 19:01:48

Classical composition, textbook-like editing. Robert De Niro is a man who drives a taxi and punches. He has no ring of his own and can't find a way out. The characterization is full and three-dimensional, showing the thinking about the individual life in a concentrated way. The characters in Martin's movies often have repetitive parts. He is familiar with the shaping of this type of character. The king of comedy, the taxi driver, and this movie, the male protagonist is surprisingly similar, and he has a good grip on such confused and frustrated characters With unique emotions, he is familiar with it. The boxing scene is slightly distorted, and boxing is really good.