For many people, the biggest difference between "Snow Country Train" and Feng Junhao's past works may be the following: English films, international star lineup, and focus on the global market. But in fact, for Bong Junhao, something in "Snow Country Train" is the most deadly. This is an adapted script. The previous Bong Junhao has a unique original story. From the social background to the character, he has Very familiar. As for "Snow Country Train", whether it is from the production concept or the direction of thinking, it is a brand new challenge. Regardless of the language of the movie, "Snow Country Train" became the original work, but also failed the original work in the pattern of human fables in the high house. As my friend pointed out, the story carrier of "Snow Country Train", this apocalyptic train with more than 20 carriages, itself is a form of floating in the air, just like that absurd perpetual motion engine. If you don't recognize the principle of soft science fiction, then the seriousness of this movie must be greatly reduced. For example, why is there only one door? This question will then lead to the following question. This door is actually at the forefront, so how did people crowd in back then... Therefore, it is no wonder that some people say that "Snow Country Train" is more like a political metaphor movie than science fiction. movie. The 1001 carriages that can be presented in the comics have become impractical to put in the movie, and the difficulty of production has increased all the way. There are also complaints about getting worse. This is a big sci-fi production, it is a closed-space indoor drama, and even the ice and snow special effects outside are not in place. Having said that, "Snow Country Train" still shows the courage and courage of Korean filmmakers to enter the world. No matter whether it is typical or not, science fiction films are not good in China, Japan, South Korea and other countries. Japanese animation has a large number of science fiction themes, but the road to reality has not been smooth. In terms of genre breakthroughs, "Snow Country Train" is still a milestone, even if it is still cautious and not proficient enough. You can disagree with the spectacle settings of different carriages, but "Snow Country Train" intuitively presents the spiral of human society-just kill all the way from the tail of the train to the locomotive. You can make up for a tragic world war, endless cannibalism and massacre. Just like the huge emptiness brought about by revenge, the rebels always think about the blood and fire of the revolution, and the romantic soul sublimation, but never think about the huge emptiness after the revolution-whether you will replace it or die together. Bong Junhao obviously believes that as long as this train is still there, the disputes about human society, the oppression and resistance of classes will not stop, and all of this is still covered by a perfect scientific iron sheet, and there is an eternity at the same time. The idol leader is too ironic. As mentioned earlier, the original book limits Bong Junho’s performance. It is difficult for him to think Come out with some spiritual endings and provide the audience with a spiritual interpretation. "Snow Country Train" still has a lot of black humor, the heavy taste is like cockroach tortoise paste, the lighter one is probably Happy New Year. As for the fish-killing scene that everyone is discussing, it is not difficult to understand, but it is difficult to understand why the dead fish are stepped on. Perhaps, this is also black humor that ordinary people cannot understand, including the seemingly redundant translation style, which is likely to please the Korean audience. If there is a gorgeous action movie charm in the Axe Gang, then the bullet shooting is really a bit of a show. It is not successful to say that it involves the environmental space outside the train in order to express. No matter how you look at it, it's only for that snowflake floating in. Therefore, Feng Junhao did not provide a one-stop train free tour, but a group of extras went through more than a dozen studios, from the unclothed slave society to the high-level civilization waiting to be destroyed. Due to the emphasis on the form and the negligence of the expression of the characters, and the congenital deficiencies in the space of the train but being constrained by the hands and feet, the characters in "Snow Country Train" basically did not leave much impression on people. To be confused is to hide secretly. As for the rebels, in terms of character shaping, they are not as good as the female minister played by Swinton, whose faces are so vivid that only the fish that unfortunately died can match. There are many long talks in the film, shoes and hats, social balance, including the dark life experience of the protagonist. They are not bad, but they are not clever-especially in Feng Junhao's work system. Inside, it's a bit clumsy. Because of this, even "Snow Country Train" still gave me a lot of shock, but in terms of the joy of watching the movie, it has a beginning with no audience, a middle death fight with mixed flavors, and a ending with many holes. Obviously not as good as Bong Junhao's previous works. If you can master the text analysis methods of mainland scholars, then you can write a essay on "Snow Country Train" by watching a trailer and a summary of the story. Because what it wants to interpret has surpassed the film format. As for whether the film's performance techniques have added points to this argumentation process, in my opinion, what Feng Junhao has done is far from enough. 【China News Weekly】Action movie Shen Yun, then, bullet shooting is really a bit of a show. It is not successful to say that it involves the environmental space outside the train in order to express. No matter how you look at it, it's only for that snowflake floating in. Therefore, Feng Junhao did not provide a one-stop train free tour, but a group of extras went through more than a dozen studios, from the unclothed slave society to the high-level civilization waiting to be destroyed. Due to the emphasis on the form and the negligence of the expression of the characters, and the congenital deficiencies in the space of the train but being constrained by the hands and feet, the characters in "Snow Country Train" basically did not leave much impression on people. To be confused is to hide secretly. As for the rebels, in terms of character shaping, they are not as good as the female minister played by Swinton, whose faces are so vivid that only the fish that unfortunately died can match. There are many long talks in the film, shoes and hats, social balance, including the dark life experience of the protagonist. They are not bad, but they are not clever-especially in Feng Junhao's work system. Inside, it's a bit clumsy. Because of this, even "Snow Country Train" still gave me a lot of shock, but in terms of the joy of watching the movie, it has a beginning with no audience, a middle death fight with mixed flavors, and a ending with many holes. Obviously not as good as Bong Junhao's previous works. If you can master the text analysis methods of mainland scholars, then you can write a grand essay on "Snow Country Train" by watching a trailer and a summary of the story. Because what it wants to interpret has surpassed the film format. As for whether the film's performance techniques have added points to this argumentation process, in my opinion, what Feng Junhao has done is far from enough. 【China News Weekly】The action movie Shen Yun, then, bullet shooting is really a bit of a show. It is not successful to say that it involves the environmental space outside the train in order to express. No matter how you look at it, it's only for that snowflake floating in. Therefore, Feng Junhao did not provide a one-stop train free tour, but a group of extras went through more than a dozen studios, from the unclothed slave society to the high-level civilization waiting to be destroyed. Due to the emphasis on the form and the negligence of the expression of the characters, and the congenital deficiencies in the space of the train but being constrained by the hands and feet, the characters in "Snow Country Train" basically did not leave much impression on people. To be confused is to hide secretly. As for the rebels, in terms of character shaping, they are not as good as the female minister played by Swinton, whose faces are so vivid that only the fish that unfortunately died can match. There are many long talks in the film, shoes and hats, social balance, including the dark life experience of the protagonist. They are not bad, but they are not clever-especially in Feng Junhao's work system. Inside, it's a bit clumsy. Because of this, even "Snow Country Train" still gave me a lot of shock, but in terms of the joy of watching the movie, it has a beginning with no audience, a middle death fight with mixed flavors, and a ending with many holes. Obviously not as good as Bong Junhao's previous works. If you can master the text analysis methods of mainland scholars, then you can write a grand essay on "Snow Country Train" by watching a trailer and a summary of the story. Because what it wants to interpret has surpassed the form of film. As for whether the film's performance techniques have added points to this argumentation process, in my opinion, what Feng Junhao has done is far from enough. 【China News Weekly】The dark life experiences that Ren Gong revealed are not bad, but they are not very clever—especially in Feng Junhao's work system, which is a bit clumsy. Because of this, even "Snow Country Train" still gave me a lot of shock, but in terms of the joy of watching the movie, it has a beginning with no audience, a middle death fight with mixed flavors, and a ending with many holes. Obviously not as good as Bong Junhao's previous works. If you can master the text analysis methods of mainland scholars, then you can write a grand essay on "Snow Country Train" by watching a trailer and a summary of the story. Because what it wants to interpret has surpassed the film format. As for whether the film's performance techniques have added points to this argumentation process, in my opinion, what Feng Junhao has done is far from enough. 【China News Weekly】The dark life experiences that Ren Gong revealed are not bad, but they are not very clever—especially in Feng Junhao's work system, which is a bit clumsy. Because of this, even "Snow Country Train" still gave me a lot of shock, but in terms of the joy of watching the movie, it has a beginning with no audience, a middle death fight with mixed flavors, and a ending with many holes. Obviously not as good as Bong Junhao's previous works. If you can master the text analysis methods of mainland scholars, then you can write a grand essay on "Snow Country Train" by watching a trailer and a summary of the story. Because what it wants to interpret has surpassed the film format. As for whether the film's performance techniques have added points to this argumentation process, in my opinion, what Feng Junhao has done is far from enough. 【China News Weekly】
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