When I saw the first one, I was fascinated by this movie. The whimsical plot made me laugh until I burst into tears. Seeing the second part, there was a little lack of creativity in the plot, but the boldness and novelty still made me laugh for a long time. However, in this third part, there is no mess of imagination, and it breaks away from the line of "hangover", just to interrupt these characters in the series.
I haven't laughed from the beginning to the end, and the plot is just the old-fashioned kidnapping and extortion. It can be said that there is basically no comedy element, and then the funny part (actually not funny) of alen pretending to be crazy is removed and it becomes an action movie.
In my heart, I really hope that the script can continue the idea of the previous work, and use a hangover to trigger a lot of incredible things. I also hope to reduce some of Alen's scenes, after all, pretending to be crazy is neither funny nor pleasing. But this plot was turned upside down, and Alen became the protagonist. Seeing the end with a little dissatisfaction, Alen actually saved everyone, found a "crazy woman" with a similar smell, and got married!
This is incredible, what is the director thinking?
but! If you think about it carefully, it is also possible that this is deliberately done by the director.
alen, an adult with only elementary school students’ IQ and EQ, has repeatedly made troubles and has not known himself. Not only is he not treated excessively in the series, but he is always taken care of, and finally finds his destination in life. Facing such a winner in life, the audience is simply You can lift the table.
The director's care for such disadvantaged people seems to be implying something! What does alen allude to is the director's own experience? Or a family member of the director?
The setting of Zhou's role also deepened my guess. Alen and Zhou are both very lonely people, they long for friends. One is that he has a brain disability and others are unwilling to care about him. So the director made them friends. Zhou's madness, Zhou's last let go; Alen's cry, Alen's last rescue... Many details reflect the director's care and sympathy for the lonely crowd.
Of course I don’t know the director, this is all I guessed=.= In the
end, the
four King Kong came out side by side. The end of the whole farce
may be a matter of personal taste. The Hangover series likes it very much. The connection between the three parts is very good, some spoofs (such as the first spoof rain man~), music (the first and second dentist’s songs, the third part actually has sabbath!), the details (the details throughout the series, such as The discussion of "dentist", "doctor", etc.) are great.
Is it a small classic?
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