Nuo Kang provides the imagination of the final result, and "The Hunt for Bin Laden" can be responsible for providing the details of the specific implementation of this sentence. Regarding what these details are, the two and a half hour movie has provided enough. Many people have died, a lot of hatred has been sown, Bin Laden is indeed dead, but this is just the appearance, the deep things have not been destroyed, on the contrary, they have become stronger and stronger.
From "The Fall of the Black Hawk" to "The Hunt for Osama Bin Laden," the United States fell two Black Hawks. The first one seemed to be a starting point. The Americans were mainly reflecting on it and preparing to learn from it. The second one a full ten years later seems to have become an end point: Osama bin Laden, America’s greatest enemy, has broken the law. The Black Hawk helicopter has witnessed the achievements of the American military, but where will it go after the Black Hawk? Will there be more Black Hawks falling in the future?
The ending of "The Hunt for Bin Laden" can not help but remind people of the end of "The Hurt Locker". In the eyes of director Catherine Bigelow, the greatest alienation of human nature from war is that people will gradually become accustomed to war as they are used to a job, and will gradually become accustomed to the existence of hatred and murder. If one day the war is over, people will fall into unemployment. Of loss. However, the war will never end, because the hatred has been sown. You cannot follow this logic to think deeply, because you will infer a terrible future.
In fact, as far as the performance itself is concerned, Jessica's own interpretation is very good, but the reason why this role can be lost to Jennifer Lawrence in "The Happiness Line Behind the Dark Clouds", I speculate that the role still has inherent deficiencies and lacks change. At the beginning of the movie, there was a dialogue about her: "Don’t you think it’s too early to let her know that she is bloody?" "People in Washington said she didn’t blink." In the whole movie, she didn’t feel the female The Lord followed the changes in the classic narrative rules. She was born for this war as soon as she appeared. She also said that the reason why she did not die like her companions was because she wanted to catch bin Laden, and this became a push. The biggest driving force for plot development. At the end of the movie, she was sitting on an empty plane alone, facing the pilot and asking her "Where are you going", tears broke down and she couldn't answer.
This was done deliberately by Catherine Bigelow. She could have designed this story as a little girl who knows nothing about the world and is changed by this invisible war, but then repeats "The Hurt Locker". She can also design this story as a heroine who is gradually confused by torture and indiscriminate killing of innocents. She vowed to seize Osama bin Laden's faith and gradually collapsed, but then it became a Vietnam War movie... The old ways of the predecessors, so I simply made Jessica strong to the end, never wavering, she was the one who cursed the boss at the head, and she was the one who gave out 100% Bin Laden in the final meeting. Then after catching Bin Laden, Jessica's murderous eyes instantly became confused. When she confirmed that the deceased was indeed Bin Laden, the world she used to be familiar with no longer existed.
Those who clearly violate the strong will be punishable even if they are far away, but the enemy is the enemy, and at the same time their own heart.
View more about Zero Dark Thirty reviews
