In fact, this film is the same as King's Speech and even Tom Hooper’s earlier Elizabeth I. The strength of the script is already there. He only needs to connect it in the art of artisan. The difference is that the scripts of the first two works are all clips. The quality is in the middle of the second-class first-class, and this part is definitely to have the name and the name, the height and the height. Whether it is Hugo's original work or an adaptation that has dominated the world's musical theater for thirty years, the difficulty of reappearing on the screen is enough for the director to drink a pot. Although the musical has reduced and reduced the length of the huge novel, more than 85% of it is like an opera. How to make the most of the audience who are not familiar with this musical (believe me, box office, word of mouth) If you want to watch a good movie, the main force must not only be a die-hard musical). It is actually a very difficult problem not to lose a laugh. This suddenly presented an important choice: the original stage card or the Hollywood star? The former's singing skills are certainly good, but the audience's recognition and their ability to control the movie are obviously very doubtful, and if it is the latter, who can guarantee that they will leave the audience without covering their ears when they open their mouths? This kind of bloody lesson is not uncommon (Hollywood's solution is naturally to sing for it).
Tom Hooper must have had a headache for this problem, because even if his Casri does have a bright and trustworthy name-although most audiences know Long-legged Hugh because of Wolverine, he won the Oscar in 2006. His brilliant performance at the Tony Awards (and the few Tony Awards that not many people watched but were indeed amazing) has already made many people notice his musical talent; the same is true of Anne Hathaway, and the "improvisation" of Long Legs at the awards ceremony. Whether it’s a collaboration or even a show-off on the talk show afterwards, everyone seems to be well prepared for her singing skills; it’s not surprising that Amanda Seyfried will perform in a musical film again after Mamma Mia, but there is nothing left. The two people under the screen—Russell Crowe and Burberry, both of whom are tough guys on the screen—have come out of the traditional British posh kid Eddie Redmayne. The roles of both of them are very heavy. In this age of pervasive media and critical audiences, it is basically impossible to find a stand-in singer. All the male actors-OUCH!), and if Javert and Marius hit the pot, the movie would be half finished.
However, Tom Hooper handed over a satisfactory answer sheet, and even many surprises. Although Crowe's Javert is a little less popular, but after all, he is full of energy and far beyond amateur standards, and even if the gladiator already has a beer belly. Still fierce and vile, with a compelling momentum, it is easy to play this role that is so strong that he is forced to death; and Eddie-oh the boy who can accurately break your heart into scum in any dimension, has the innocence of an angel. With his eyes and clear voice, he used to be an Eton student at Eton College, but now he is a little skylark who can only act and sing. I can’t deny that before I knew where this guy came from, I wondered if he could manage a character who had to face-to-face with Long-legged Hugh, but the soundtrack that made people wait until the heart-wrenching soundtrack finally came out. I couldn’t wait to open a preview to hear him first. When a treble is thrown up...ohhhhhhhhh I must have died and gone to friggin' heaven. His voice is too special. Although he is well-trained but not artificial, it seems that he is born with the power to move people's hearts. Between boys and men, the penetrating tenor with laser penetration is simply too suitable for the role of Marius. Coupled with the acting skills of the stage prodigy, he has become the biggest surprise of the film in the eyes of audiences and critics, and even a large number of them Critics predict that if the academy is generous enough (or Universal is generous enough to spare its public relations money), he will replace Crowe in the recent Oscar nomination for best supporting actor. Get ready, Hollywood and the 80 generations of the British Empire have already attacked aggressively. They all have a nearly impeccable educational background and an acting experience that blinds countless people. More importantly, they are all respectful and rigorous. Versatile, courteous, eager to accept various challenges, and play different roles. What's more terrifying is that they are all energetic and can perform three or four movies a year, and they can also find time to squeeze into a few stage plays and a few episodes. , There is simply nothing that can stump them... After the old and middle-aged gangs have dominated the world, the youth gang also quietly followed and gradually gained a foothold. Apart from the support and shelter of their predecessors, only Los Angeles has a clear, cloudless sky all year round.
Helena Bonham Carter and Sacha Baron Cohen are definitely two big supporting roles, especially SBC. The mood of the audience will reach a small climax every time they appear on the stage, and his performance will once again live up to everyone’s expectations, and he sings I have to be ridiculous, but I actually have a really good voice; I don’t like HBC’s voice (Gee I don’t like her anything), but I was pleasantly surprised to see her appearing-how good it is to be old and new Tradition, yes, big stars who are willing to make green leaves should always be praised.
(And I pointed out last time that Big RADA has a tradition of beating seniors and making positive progress, but I didn't expect me to have it in Cambridge. Happy second life, you have gone forward very well, very well...)
(and Javert’s first The candidate is actually Paul Bettany. There, I said it. Your move.)
For Samantha Barks and Aaron Tveit, Barks was the original card of the West End, and Tveit was also a stage veteran who was born on Broadway and grew up on Broadway. I believe that many musical veterans I have more say than me; the two little actors who play Gavroche and little Cosette are so cute, I believe many people also shed tears for them. In short, the performance of the supporting cast is very professional and strong, and it is the most suitable in such a film that should have been a tribute to the original.
Having said so much, it's almost time to stop. "Les Miserables" was originally the pinnacle of romanticism, coupled with the grand background of the times, it has an unsurpassable position in the history of literature; and the musical adaptation may be possible with its huge length and inclusive music (sorry I really Don't know how to describe it) is also one of the best masterpieces in the history of musicals. Before and after the stage, the actors and creators of this film are all talking about the hardships during the filming. Although the light and shadow are fleeting, the youth on the film will never grow old. If this film can satisfy the loyalty of the musical , Let the average movie fans applaud, it is finally worthy of the efforts of so many people.
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