Therefore, they always use different methods to thank any form of company: brothers' justice, exchange diaries between friends, teacher's heart-to-heart talk, a simple hug, he is willing to give you everything.
The gray-orange tone of the movie is rich in retro style and exaggerates people's inner yearning. This kind of tone, which is basically exclusive to the setting sun, makes people feel strong at home, but the lonely standing little red house in Susie's house is incompatible with this tone. Her bright orange dress seemed to express the worries of waiting alone. A telescope artificially creates distance when trying to get closer. This is her supernatural ability, and it's also the center of the circle that she doesn't want to walk out of.
In the open class last week, I chose Ma Zhiyuan's "Tianjingsha·Qiu Si". When preparing for the lesson to "Little Bridge and Flowing Water House", I was puzzled. What kind of picture is this? An older sister who has taught me for 9 years told me that when a person is alone in the bleak autumn and mourns the sadness of the world, it is impossible to have a sense of warmth and tranquility when he sees the small bridge and flowing water. The more lonely, the more I feel that my life path is remote.
The home in the sunset is like the scene in Ma Zhiyuan's works, not a warm place. Because it is no longer a tired return visitor who lives in it, but a traveler who wants to escape from time to time.
When Susie raised her binoculars and saw Sam carrying a mountain backpack, she might have made up her mind to marry him. Because in her mind, this person can accompany her in the most difficult time. After experiencing this process of longing, escaping, and returning, she could forgive her mother and the world that was temporarily abandoned by her.
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