Indicates memory flashback: must use fuzzy images with sizzling sound effects.
Expressing understanding of the family: Dad didn't shake hands with his daughter's boyfriend at first, and finally shook hands.
It means the difference between good and evil: the father killed the flower thief who kidnapped dozens of girls, and the father of the flower thief said he didn't mind at all!
Declaring that there is more than guilty death: The old man must of course stop when he can kill the villain, and leave the pistol for the villain to choose. Of course the villain will pull the trigger, and of course he will be surprised to find that there are no bullets.
Indicates the protagonist's halo: The bad guy left because he heard other voices one second before he found his daughter. The old man made the call without being noticed by anyone.
Said her daughter grew up: finally passed the driver's license test, still full marks! Full marks!
There are too many slots, so I won’t repeat them one by one.
Yesterday I watched the midnight show with my friends, and when I saw Luc Besson’s Europa production, I knew it was definitely a bad movie. From the beginning to the end, it was so fake and pretentious, and I counted XX seconds to calculate the geographic location. You think you are a Tathagata and no one can escape your Wuzhishan! All the old-fashioned plots of action movies have gone through, and my father will always reveal the self-respect and the most powerful look in the world. Watching him call his daughter to direct his daughter, I really want to roll two thousand eyes in my heart, and the success of the entire rescue plan is mainly due to Thank you for how stupid the villain in the movie is.
I personally feel that in reality, as long as there is a little independent personality, it is the most unlucky thing in the world to meet this person in the movie as a dad/husband, but the mother and daughter suffered a total and unreasonable disaster, and the whole family immediately looked at each other and smiled. No traumatic sequelae or something. If the mother chooses to take her daughter away after the incident, even if she is sad, she must first ensure her daughter’s safety (don’t forget that the villain also has two sons), then she can still win a trace of respect, but at this moment in business In the hands of Luc Besson, this is absolutely impossible.
Whether it is possible to cross the moral boundary for the sake of family members and thus massacre others is probably a topic of opinion. But after the massacre, family life can be happily ever after? Anyway, I think it's a spoof.
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