Rear Window--Some Doubts About The Movie

Amely 2022-06-16 13:05:21

1. What did the nurse say to the inspector in the end?

2. The nurse finally said, "No, I don't want to see one piece." Why is that expression behind us? (Some people say that the nurse is an accomplice, but why does she help the male protagonist solve the case?)

3. If the murderer buried all the bodies under the flowers first, how could they be buried? If only part of it is buried, why not throw away all of it and bury part of it under your nose?

4. The nurse had previously questioned whether the murderer would not open the window and commit the crime blatantly. Why was there no reasonable explanation for this problem later?

5. When Lisa was caught stealing the ring, since there was already evidence, why didn't she expose the murderer on the spot?

6. When the murderer approached the actor's room, why did he want to lock the door at first and then give up?

7. Since the murderer really killed someone, why was he uncharacteristically calm and stayed in the house for so many days?

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Extended Reading
  • Yasmin 2022-03-23 09:01:02

    Peeping is immoral, conjecture can come true. The setting of the windows is not only clever but also interesting. Your life and your story are other people's showcases. The complete structure is more advanced than "Playing Time". The color photography and the dialogue are very exciting. It dilutes the sense of suspense and adds entertainment, narrowing the murder case into a window, and the lens is always shot in first-person vision. He has never entered the scene of the crime but talked about a complete murder case. Too genius.

  • Jaida 2021-10-20 19:00:00

    A scene is so wonderful that I have to be convinced. Suspense and entertainment coexist, so what else can be requested. In fact, watching a movie is an excellent way to vent your desire for voyeurism! There is a lot of evil in it. . . Grace Kelly's sensuality penetrated from her pajamas to her accent. Love her every outfit and every bag!

Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]