A model of story. In terms of subject matter, both should be very interesting, just as Elena and Stefan in "The Vampire Diaries" have to come together regardless of their identities, and in "Moon Lovers", Xiu Mei and Lian The introduction also has to cross the great differences to be able to be together, so it is actually a theme that has a lot of room for use, but the strength of the screenwriter here is worlds apart. The original author of "The Vampire Diaries" is Elena and Stefan's. Love has gone through many tests. Williamson has grasped this core and used the various expression methods of the film to perfectly express it. Although the author of "Moon Love" is also dedicated to expressing the difficulty of the two being able to come together, Aunt Asano regretted that she missed that point perfectly. Xiu Mei was like a nerve show. She hated Rensuke from the beginning and said she must win his heart and then severely abandon him until she suddenly felt sorry for him. The expression of not only fails to convince the audience, but also makes people feel inexplicable and unreasonable. As a result, the audience cannot watch it with a very engaged attitude. The same problem is also in "Twilight 2." In order to arrange the appearance of the werewolf, the only way in "Twilight 2" is to arrange Edward's departure first, otherwise it will be difficult for the werewolf to start the narrative, so regardless of Edward's departure How far-fetched and weird it must be, oh, and always appear in front of Bella in a manifested way. Immediately afterwards, Bella and Jake suddenly became better, so the show achieved its threesome concept, but this 3p architecture is so pale and far-fetched, Jake and Edward are still relatively OK, but Bella’s emotional changes are too sudden She lacks the fullness of flesh and blood, and the vividness of language, as if she is just a hysterical guy with great emotional fluctuations. How can such a heroine make people like it? How can such a film make people very engaged? Look (in contrast, the threesome structure of "The Vampire Diaries" is so empathetic, Damon gradually fell in love with Elena, and Elena gradually recognized Damon as a friend, but indicated that he loved Stefan deeply). At the end, Edward is going to die suddenly, so the plot turns into a hero of the United States. I strongly disagree with this point. A good story must have a consistent main line. If the film length is longer, then this main line can have Several turning points can also have several sub-themes. For example, the first half of "The Vampire Diaries" focuses on how Elena and Stefan
The above is a comparatively messy discussion of some of the more sophisticated processing methods in "The Vampire Diaries" from the perspective of storytelling. Next, I want to talk about the more prominent aspects of this drama in terms of storytelling, 1) the role of language in shaping, 2) the processing of functional roles, 3) the choice between drama and logic, 4) narrative methods such as thriller The use of
oh oh oh, I really shouldn’t dig a pit, but I should finish it at that time TT
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