Actually, I didn't hear about this film recently. I heard about it as early as one to two years ago, but it’s very interesting that I heard that the reason for him is not because of how much reaction his film has caused the people around me, but because of his game version.
Those who buy UCG for a long time should remember that the game version of UCG called Avatar is the King of Achievements. Because you can get a lot of achievement points by completing some simple actions at the beginning of the game, UCG has a special video commentary. Such irony made my interest in this film greatly diminished. I thought, "Well, it's probably an American cartoon that imitates the oriental style of painting tigers and dogs."
But I was wrong.
By chance, I started to become an animation screenwriter about a month ago. As for the pre-planning duties, if you are given 10 days of work, at least 7 days you are collecting and collating information. So under the director's recommendation, I started to cook "Magic Power".
TMD this is a god movie!
[Perfect combination of oriental charm] It
may be that we have seen too many bad examples of foreigners fooling Chinese style, so when I heard the animation based on the oriental style as the basis of the old beauty, it must have come to mind such as the long braid equals the Chinese. , Japanese style mix and match Chinese style and so on.
But this film is not so simple to be curious. First of all, the most basic setting of this film is that the world is divided into four major ethnic groups, which are the ethnic groups that master the power of the four elements: the fire country, the soil power, the water good tribe, the Qi and the herders (in fact, they are monks). Judging from the signs in the film, these four elements should be derived from the elemental theory of the ancient Indian worldview.
The Fire Nation is a martial nation, and he is also the most fundamental thing that provokes the whole story. Because of the fire-like character, they finally have a king who wants to provoke a war to invade the world. The costumes, decorations and architectural styles of this country are very Han taste, which reminds me of the Han and Tang Dynasties. China was really strong for a while.
The country is also a very powerful nation, but compared with the aggressive character of the country of fire, the style of this country is as conservative as a rock-the wall stretches for hundreds of kilometers and is thick and big. It is very subtle that the setting of this nation originated from the Manchu Qing Dynasty, which is indeed so interesting to the Chinese people, remembering that it was closed to the country more than 100 years ago... Haha.
The Shuishan tribe are Eskimos who live in the north and south poles all the year round... Well, really, their ethnic settings, clothing, etc. are very Eskimo-like. As for Qi and herdsmen, they are actually a group of Buddhist monks, and our protagonist is also a young monk.
These four ethnic groups are distinct and reflect each other. He did not pile up all the oriental styles that Lao Mei had understood in the past 100 years, but did a certain degree of systematic analysis. Even sometimes, you may think that those old Americans (although there are many Chinese in the staff) are more authentic than us Chinese, and they know how to use the things left by these ancestors. For example, Prince Zuko, his uncle loves tea, and he would say a lot of interesting philosophies when drinking tea.
It is worth mentioning that all the Chinese characters that appear in the film are in line with grammar and reading habits, unlike those in the past with Chinese characters and pseudonyms. It is said that all the Chinese character information appearing in it is in charge of the Chinese calligrapher (also the one with the title inscription of this film), which shows that there is a lot of sincerity.
[Break through the shackles of boy animation]
In fact, the most commendable thing is that he did not fall into some of the bad stereotypes of boy animation-although the theme is still love and peace, the ending is also a happy reunion, but compared to Japanese boy animation, he is outstanding too much.
The film was broadcast at the time when "Naruto" became popular, so many people compared the film to "Naruto" in the United States. However, what I want to say is that "Naruto" is far from the film. While "Naruto" stayed in the fanatical theory of descent superiority, and the tricks were constantly escalating against the bombing cycle, "Supernatural Power" used four basic elements to play a variety of different tricks, and there was no such thing as eating fresh all over the sky. , And will not be entangled in whose power is stronger, but rely on wisdom! Among Japanese anime, only a few such as "JOJO" have this strength.
The combat elements of this film are really simple, as simple as one sentence-four different elements control the battle. But these four basic elements are very different in different environments and different people. For example, some people use it very cleanly (such as those "Dai Li" agents of the strong land country and the funny king Bumi of Osuma), some people use it thick and hard (general Tu sect), and some people Use it accurately and flexibly (for example, the cute and blind loli Toph in the protagonist team). And depending on the environment, there will be many interesting developments in combat. I can't describe this in detail in words. Those who are interested can experience it by themselves.
What about the Japanese boy anime during the same period? Among the three major migrant workers, "Naruto" and "Reaper" are constantly falling into the deadly routine of upgrading tricks and identities. "Actually I am yours..." "Actually I don't want to use this trick" These two sentences are a pungent irony of the above two works. Although the worldviews in these animations (original comics) are very full and informative, things are still very fragmented with a big worldview. The world view of "Supernatural Powers" is not very big, but it is extremely substantial-really, it is substantial, with a few element attributes, and it has played many tricks.
It is worth mentioning that the martial arts used by the four ethnic groups are all based. Shui Zong uses Tai Chi, and the combination of soft and strong Tai Chi with the use of water elements is simply too appropriate; Tu Zong uses Hong Quan (tiger and crane double-shaped boxing). Hong Quan is a southern martial art that focuses on hard bridges and hard horses. The rigidity of the Zong is very appropriate; the Huo Zong uses the Northern Shaolin boxing method. The characteristic of the northern martial arts is that it is open and close, and it is very offensive. This is in line with the aggressive personality of the Huo Zong; the last Qi Zong used is Bagua Boxing, this boxing emphasizes flexible movement, and relying on mobility to prevent opponents from attacking while oneself steals the opponent's gap. This is also very suitable for the relative freedom of Qizong.
Simple but not simple, refreshing and not whitewashing. This is the fighting element of this film.
[Powerful production technology]
If I were to comment on this film, I would say, "If Chinese animation does this kind of subject matter in the future, it will never surpass "Available in the World". Some people may think that I am exaggerating, but I think this is an honest, truthful statement.
Really, in terms of technology, from planning, to scripts, to fine arts, China will develop for another 20 years and 50 years, and it will not be able to catch up. A benchmark that is difficult to break through.
There are a lot of plans and settings described above, so I won’t repeat them here. Let’s look at the animation first! First of all, the 3D part is used very well, not obtrusive, not blunt. Secondly, the number of frames in the battle is very large, and every battle is very dynamic. Look at the current Japanese animation. Take the similar "Naruto" and "Reaper". Which one is not to save money and save money? There is no picture breakdown, no dialogue to make time, no cross-episode compatible cards (there is no repetition of fights in each episode), this alone will turn the new battle in Japan a few streets in the same period (of course, to be fair, Japan) Animation investment is still different from this animation).
Three sentences are not far from the old line, focus on the script!
First, there is no wordy preaching. Although there will be some more meaningful dialogues, they are not preaching. Even if this animation wants to illustrate some truths through some characters and plots, it will not have too much dialogue, especially the boring and profound dialogue, but use actions, plots, and attitudes of characters to express. The most important thing is that each episode is relatively independent, and can be connected to watch, unlike Japanese animation.
Second, it is suitable for all ages. There are wars and partings in this film, but it does not have any violent or bloody elements. There is really no bloody scene. Of course, this is also because of the national conditions in the United States, but I think it is worth learning about domestic animation.
Third, the burden and foreshadowing are used appropriately. Especially in episode 5 of the first season, I was amazed by the script of that episode. The plot of that episode really made people feel unexpected and reasonable when the burden was finally revealed. The scripts of some other episodes can be used as a model for screenwriting learning. In addition, there are some plots and foreshadowings, and there will be explanations and explanations without making you feel blunt. Even the key points of the previous very common plot are integrated but there is no trace at all, which is natural.
Fourth, the character is full of character. See this for yourself! Anyway, each character has their unique characteristics.
Characters, plot, structure. A good script is just the play of these three things. And "Supernatural Powers" can be said to be the most vivid and vivid of these three.
[The last ANIMEBENDER] In the
end, I just want to say one thing: I will not refuse the juvenile animation. I like to watch an oriental style that is different from Asian thinking. I like to be immersed in another world adventure. This film is definitely worth watching.
Oh, forget, if you are determined to be an animation screenwriter, this film is also very worth studying, especially in domestic animation.
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