After listening to the original soundtrack

It has been released for almost 2 weeks, and the original soundtrack of "Angers & Demons" was released on the iPhone last night. Heard of Hans Zimmer can be regarded as starting from the Lion King, but at the time, like most people, I only remember the name of the old man Elton John, the creator of the classic song, and ignored the background music god Zimmer. He has produced numerous Hollywood blockbusters, including Batman, Pirates of the Caribbean, Kung Fu Panda, Da Vinci Code and Angels and Demons in recent years. Zimmer's music style is magnificent, rich in layers, when it is heavy, it makes the scalp numb (real feeling).

"Angers & Demons" I only watched the movie and haven't seen the original. It is said that the story is more compact and exciting. Perhaps it is to give you the feeling of the "Bald Uncle" Professor Langdon's series of adventures (=_=). The background music of angels and demons continues the main theme of the Da Vinci Code, and is a spiraling note of destiny.

This piece of music is in "Chevaliers de sangreal" (French: Knights of the Holy Grail), one of the theme songs of the Da Vinci Code. It is superbly stacked with various orchestral instruments, and the main melody of the wind music creates a glorious atmosphere. The string music that shuttles through it is like golden silk satin wrapped around a Roman column. The layers rise up, making people's hairs stand up, and a sense of mission that is experiencing history in person is born. This piece of music appeared at the end of the film when Professor Langdon knelt down at the Louvre's inverted pyramid to pay tribute to Maria (if I remember correctly), and it fits the mood of contacting the truth in a heavy, intense and unspeakable history. However, in Angels and Demons, the album's closing song "503" (I haven't realized the meaning of the name), in just 2 minutes and 14 seconds, the same melody, but pure strings, a viola (guess) The sound like a voice creates a sad atmosphere of fate, just like the fate of the pope’s servant played by the American male Ivan in the movie (I have to flash his cheeks when I write his name), extremely good and extremely good. The coexistence of evil, unforgivable but compassionate sins. . . Every time a tone rises, this sense of destiny becomes more delicate and tragic. The melody is so beautiful, it makes my scalp numb and goose bumps.

As far as the entire album is concerned, angels and demons and the Da Vinci Code have a lot less religious meaning (choir-like singing), and the melody is more ups and downs due to the compact plot, and 9 songs are completed in one go. You can close your eyes and enjoy this album on a sunny afternoon, and experience that in the age of bloody faith, walking through the wet stone roads of Rome, and crossing the towering churches that are out of reach. a feeling of.

Hans Zimmer, a mediocre and even otaku-looking god.

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