most people can't read this movie, at least the first time. If you really want to understand the intricate relationship, then take a good look at the following article.
Full analysis of the plot of "Mulholland Road" (Plot Analysis: Black Fool, Crazy Diamond) After
watching "Muholland Road", take a breath! It's not because I haven't had a similar nightmare, but I didn't expect someone to show the nightmare so truly on the big screen, and experiencing the nightmare of others may be more terrifying than experiencing the nightmare yourself. I was amazed that David Lynch could conceive such a nightmare. If he hadn’t studied Freud’s "Analysis of Dreams" deeply, then his IQ was at least 160 or above, or it was David Lynch at all. Own nightmare? The reason why I say this is because when I tried to analyze this seemingly absurd nightmare using Freud’s dream interpretation method, I found that some fairly reasonable factors could be explained from this nightmare, some bizarre dreams. In fact, they are all solvable! So I almost doubt the fictional nature of this nightmare!
Next, I dare to try to use Freund's dream interpretation method to analyze the nightmare of "Mulholland Road".
First of all, let me briefly introduce a few psychological concepts related to this and
Freud 's theory about dreams: 1. Freud believes that dreams are the satisfaction of wishes. The analytical formula of dream is: dream = suppressed desire + disguised satisfaction. In other words, a certain dream is always used to express a certain desire of the dreamer, but the satisfaction of this desire may be disguised and not so clear at a glance.
2. Simulate the same effect: Simply put, it is the psychological phenomenon of one person substituting himself into another person for a certain reason. This appears many times in the dream of "Mulholland Road".
Next, I will first disrupt the narrative sequence of the film to explain the background of this dream, which is the real part of the film. (The reality I described may be far from what you understand, but please be patient and listen to me. I will explain many details step by step later.)
Reality
Diane grew up in Ontario, Canada under the support of her uncle and aunt who was an actor, probably under the influence of her aunt, she has always hoped that she can become an excellent actor and make her way in Hollywood. She won the first prize in a jitterbug dance competition, made her mark, and has since entered the showbiz. After the death of her uncle and aunt, she came to Hollywood by herself. Like many other girls who came to Hollywood to find dreams, she rented a simple house, participated in the audition, and waited for one day to be selected by which director and became famous in one fell swoop.
Soon, a movie called "Silvia North Story" was selected for the heroine. Diane went to the audition. She failed, but a woman named Camilla conquered the judges with her almost perfect performance during the audition, and got that Role and became famous in one fell swoop. Diane and Camilla met and became good friends. Diane played small roles in some of Camilla's films with the help of Camilla. During this time, Camilla has become the darling of film companies, and Diane and Camilla have become gay partners. In order to conceal others, Camilla often wears a golden wig to Diane's house for a tryst with Diane. Although Camilla doesn't seem to care about their relationship, Diane regards Camilla as her lover. Later, there was a big production movie soliciting the heroine. On the set, director Adam and Camilla fell in love at first sight, and Camilla naturally became the heroine and Adam's girlfriend. Diane still plays a small role in the film. But Diane, who loves Camilla deeply, cannot accept the close relationship between Camilla and Adam. After seeing Camilla flirting with Adam on the set, Diane had a big fight with Camilla at home.
Desperate Diane was crying and masturbating at home. The phone rang, it was Camilla. Camilla sent a car to pick up Diane to Mulholland Road. The car suddenly stopped on Mulholland Road. Diane was a little frightened. He asked the driver, "What are you doing? Shouldn't we stop here?" The driver turned around and said, "A surprise for you." Camilla appeared beside the car. She took Diane across a mountain road to a mansion. It turns out that this is Adam's home. A party is being held. Many film companies and crews are there. After a few greetings with Adam's mother Coco, Diane entered the party. At the party, Diane continued to endure Camilla's flirting with Adam. At this moment, an actress came over to talk to Camilla in a few whispers, and kissed Diane in front of her. Diane felt desperate. She thought that even Camilla's position as a gay girlfriend might have been replaced. When Adam said, "Camilla and I are about to (marry)", Diane finally couldn't bear it.
From jealousy to hatred, Diane was on a dead end. She hired a killer in a coffee shop and asked him to kill Camilla. The killer gave her a blue key and asked her to pick up something that would prove Camilla's death from a beggar behind the cafe. When Diane came to the beggar's place, the beggar threw a blue box to her, which seemed to be able to be opened with the blue key. Inside was the remains of Camilla? ! Diane started to collapse, she seemed to see her uncle and aunt running out of the box (a hallucination). She ran back home in fright, went to bed out of breath, and had a nightmare (this nightmare is the nightmare described in detail in the first 3/4 of the film). After waking up, Diane stared at the blue key on the coffee table. Thinking of what she had done, she completely broke down, and she saw her uncle and aunt chasing after herself fiercely. She fled to the bed, took out a pistol, and committed suicide.
The above is the real part of the story, and it is also the background of the dream of Diane, the dream maker. And this dream is quite complicated. The names, identities, and experiences of many characters in the dream are different from reality, even overlapping and interchangeable. Therefore, before explaining this dream, I first explain the relationship and main background of the characters in the dream and reality. You can also look back at this character association table after reading my explanation of dreams.
People associated table
character:
Diane
reality: As mentioned earlier the film actress
dream: Betty (Diane incarnation, Diane is the perfect ideal, but sometimes it is the incarnation of Camilla)
Camilla
reality: as previously Camilla described
dream: Rita
Diane's parents, aunt
reality: Diane's aunt parents (deceased)
dream: Betty met a stranger on the plane. In the dream, Betty's aunt (the one who left her house) is Diane's idealized aunt.
Adam
reality: Director
dream: Director
Coco
reality: Mother Adam's
dream: the landlord Betty's
wife Adam and her lover
reality: Adam's wife and her lover
dream: Adam's wife and her lover ( their image should be fictional).
on Party and Camilla kissing blond woman
in reality: It may be one of the crew of the actress
In the dream: The name in the dream is Camilla! Adam is forced to choose the company that movie actress
spit coffee man
reality: over-exposed on the party side, probably one of the cast members
dream: a member of the forces behind the film company, had threatened Adam election they recommend that Camilla for women the protagonist of
the white-bearded old man
in reality: one of the silent theater performers
dream: Adam in trouble when the owner of a hotel
cowboy
reality: once on the party appears likely to be an actor (there are other identity?)
dream: Pictures The thugs behind the scenes once threatened the
waitress in the Adam Café (she only has a different name in reality and dreams, but the identity is the same.) In
reality: Name: Betty (this is the source of Diane's name in the
dream ) In dreams: Name: Diane (the dream became a waiter's name Rita clues to trace their identity)
"passerby"
reality: Diane at the cafe with killer deal and he has ever met
a dream: he dreamed beggar in coffee Office seek help of a psychiatrist
beggar
reality: instead of the blue box to the killer Diane people
dream: the devil behind the wall
below, I follow the unfolding sequence of the plot to try to explain this dream.
The opening scene of the film shows several couples dancing in front of a virtual blue screen, and their images have been copied into many copies. At this moment, Diane's image appeared, her face filled with excitement. In the next video, Diane and her uncle and aunt cuddled up and appeared. This paragraph explains Diane's life experience:
(a) She was raised by her uncle and aunt;
(b) She won a jitterbug dance competition and has since entered the show business. (This experience was later revealed by Diane herself at Adam's party.) The
second shot was Diane's first-view shot, accompanied by her heavy breathing. At this time, he had just escaped home from the beggar, and the bed, sheets, and pillows swayed before her eyes. Then the camera faded out, and Diane was actually starting to dream. (Cunning David Lynch, in fact, where he would have told us this is a dream, but when the first pass to see how many viewers can understand the meaning of this lens ah?)
Dream start from the third scene:
nightmare
dream The first paragraph: The
camera fades in, showing the road sign of "Mulholland DR" (In reality, this image was actually seen by Diane sitting in the car on the way to the party at Adam's house, but in the dream, the one sitting in the car was replaced by Camilla). The car stopped suddenly, and Camilla asked the same question as Diane in reality: "What are you doing? Shouldn't we stop here?" The driver took out a pistol at her and ordered her to get out of the car. But this was an oncoming sports car filled with racing cars and collided with Camilla's car. Everyone was killed, except Camilla. He staggered down the mountain and hid in the apartment where the hostess (betty's aunt) was about to go out. Two police detectives started investigating at the scene of the accident. After learning about the car accident, the people behind the film company exchanged phone calls and confirmed that Camilla was missing. And the last phone that rang was the phone in Diane's house in reality.
analyze:
(1) What is Diane's strongest mood and desire before going to bed? I think it is regret and guilt, she hopes Camilla is not dead yet. Therefore, Camilla escaped a catastrophe in her dream. But Diane still has a demon at work. She does not want to admit or believe that she hired a crappy killer to kill Camilla. In other words, she hopes that Camilla is not killed by herself. Therefore, in her dream, she wants to kill Camilla. Behind the scenes of the film company. This consciousness of Diane has been continued in the dream, and developed another main thread of the dream based on this-the encounter of director Adam and the storm of casting. Of course, that has another meaning.
(2) In reality, after Camilla's disappearance, the film company and the police have been looking for her whereabouts and pointed the finger at Diane. This can be seen from Diane's later conversations with her friends. The two detectives have been asking her for questioning, and presumably the film company has been calling her. So images of police detectives and film company personnel appeared here.
The second paragraph of the dream:
Betty came to Hollywood from Ontario, Canada. She said goodbye to an old couple she met on the plane at the airport. The old couple (especially the old woman) expressed their heartfelt wishes to betty. Then Betty took a taxi to the apartment her aunt left her.
Analysis:
(1) Betty is the incarnation of Diane, her name comes from the name of the waitress Diane glimpsed in the cafe (the appearance of the dream is often from the image seen the day before the dream). Betty looks bright, optimistic, and confident, which is very different from Diane's true image of decadence, downfall, and a little inferiority. Betty is actually an idealized image that Diane wants to be in her heart! Diane’s experience made her escape from the real herself, so in the dream, she simply changed her name, and she became her ideal image, "If I were Betty, and everything started again, that would be great. what!"
(2) The image of the old couple is actually Diane's uncle and aunt. Not dare to face her uncle and aunt, who had nurturing and hoped for herself, was an important reason for Diane's suicide in the end. But here the uncle and aunt became strangers for two reasons: (a) Diane hopes to alleviate her guilt, after all, it is only strangers who are full of hope for herself. (B) Diane hopes that his uncle and aunt have not died yet, so he makes up an idealized aunt (detailed later). The last shot of this segment is the old couple sitting in a moving car. Their faces are filled with the typical happy smiles full of hope for their children, but the background music of this scene is very strange, which is what Diane feels ashamed of. A portrayal of the mood of my uncle and aunt.
Dreamland paragraph 3:
In that cafe, two men are talking, one of them is the man Diane met in the cafe during the deal with the killer (call him passerby for now), and the other seems to be a psychiatrist. Passerby said he saw the devil behind the wall behind the cafe. When they walked out of the store, a devil appeared on the wall-that beggar.
Analysis: The beggar in reality is the person who gave Diane the blue box instead of the killer, and is the witness of Diane's crime. Deep down in Diane's heart, he was very afraid of seeing a beggar. However, because the beggar was a witness to Diane's crimes, Diane did not want to mention the beggar. So in the dream, Diane imitated herself as a passerby who didn't know her crimes, and put herself in the shell of passerby to indirectly vent her fear of the beggar.
Dreamland Section 4:
Director Adam is looking for a heroine for a major production of his film. However, the behind-the-scenes forces of the production company sent someone a photo of Camilla, a blonde woman, and forced Adam to choose her as the heroine. Adam left angrily. When he returned home, he found that his wife and the cleaner were fooling around. Adam ruined his wife's jewelry in a fit of anger, but was beaten up by his wife's lover and kicked out of the house.
analyze:
(1) Adam is the key figure that caused Camilla to leave Diane. In addition to the hatred of Camilla for leaving her, Diane's consciousness also has the hatred of love for Adam. Therefore, he took revenge on Adam cruelly in his dream. He was coerced by the company, his wife fooled around with others, and he was swept out again. Adam did have a divorce in reality. He mentioned at the party: He got the pool, and his ex-wife got the pool cleaner. But with Adam's character, he shouldn't mention to others his disgraceful experience of being repaired by his wife and cleaner, so this dream and the image of Adam's wife and her lover should be made up by Diane.
(2) The significance of the very critical "casting storm" and why Camilla was replaced by a blonde woman, will be analyzed after the whole dream has appeared in its entirety.
Dreamland paragraph 5: The
killer appeared: He killed a long-haired man, and accidentally hit the female secretary, finally killed the female secretary, was discovered by the cleaner, killed the cleaner, and accidentally hit the vacuum cleaner. It made the alarm bell.
Analysis:
Diane knows that Camilla has been killed by the killer, will anyone know this? This strong suspicion and fear is manifested in the dream as the killer who wants to cover up after the murder has repeatedly failed. The more he tries to cover up the fact of the murder, the more self-defeating.
Dreamland paragraph 6:
Betty came to the apartment left by her aunt, the landlord Coco came to welcome her, the apartment was luxurious and comfortable, and Betty was very satisfied.
Analysis:
(1) Diane's aunt used to be a Hollywood actor, then went to Canada, and then passed away. This was what Diane said at Adam's ball. And in the dream, she made up an idealized aunt-a relationship in Hollywood (because in the latter dream, the person in charge of Betty's audition was a friend of her aunt), and she also left a pretty good place to live for her . In reality, Diane is actually very lonely and helpless. She came to Hollywood alone and could only afford to live in a simple house. The image of this aunt should also be what Diane's aunt used to be in reality.
(2) The image of the landlord Coco comes from Adam's mother in reality. At the prom, Diane had a simple conversation with Coco. Coco had a little sympathy for Diane's encounter. On the contrary, when Adam said, "I and Camilla are going to (marry)", Coco showed a hint of disdain. Coco's "acquaintance" for himself made Coco a very enthusiastic landlord's wife in his dream.
Dreamland paragraph 7:
Betty found Camilla hiding in the bathroom. She thought Camilla was a friend of her aunt. Camilla actually lost her memory in the car accident and completely forgot her name and identity. She can only call herself Rita on her behalf. After Betty understood what happened to Rita, she decided to help Rita find out the truth. They found a large amount of cash and a blue key in Rita's handbag.
Analysis:
(1) Camilla's images in reality and dreams are completely different. In reality, Camilla feels like a cold, high-pitched ice beauty. In the dream, she became helpless and melancholic Rita, which is actually Diane's temperament in reality. The relationship between Camilla and Diane was reversed in the dream. Diane hopes that she (Betty) will be strong, while weak Rita must rely on herself to survive. Let Camilla stay by her side forever-this is one of Diane's strongest desires. And Camilla is only possible if he becomes the weak. Therefore, in the dream, Camilla lost his memory and became a weak person attached to Betty.
(2) The intention of money comes from the money Diane paid to the killer. In reality, Diane only used a stack of banknotes to hire a killer, but in his dream, there was far more money in Rita's bag. Because Diane has a very concealed wish that even if Camilla is dead, she will not die from the cheap killer she hired, but should die more "valuable"!
(3) This blue key is the key used in reality to open the blue box containing the thing that proves that Camilla is dead.
Dreamland Section 8:
Director Adam lives in a cheap hotel. The hotel owner tells him that his bank account has been blocked, and then Adam is threatened by a mysterious cowboy who is obviously a thug behind the film company.
Analysis:
The continuation of the "casting storm".
The 9th paragraph of the dream:
Betty is going to audition, she first talks to Rita at home. At the audition the next day, her perfect performance conquered everyone. He was taken to the set to see the director Adam. At this moment, Camilla, the blonde woman recommended by the film company, was auditioning. Adam reluctantly compromised. He said, "This is the girl I'm looking for." But he noticed Betty next to him, and they made eye contact. At that instant, both of them seemed to be electrocuted. But Betty escaped from the set inexplicably because he wanted to help Rita.
analyze:
(1) This is a crucial dream in the film. As mentioned earlier, the status of Diane and Camilla are interchangeable in dreams. In addition to being Diane's ideal image, Betty also has a lot of Camilla's temperament in reality. It is not difficult to understand that Camilla is better than Diane in every aspect, and Diane certainly wants to be like Camilla. This dream has happened in reality, but it was not Diane who successfully auditioned, but Camilla! ! Here, Betty's identity has become more of the incarnation of Camilla in reality. (Here, Diane synergizes herself into Camilla. Of course, Diane hopes she can audition successfully like Camilla.) In reality, it was Camilla who fell in love with Adam at first sight on the set. Adam’s phrase "This is the girl I'm looking for" is indeed to Camilla. Said. But how Diane hopes that this scene has never happened, how much she hopes Adam chose not Camilla but other girls, so that Camilla will stay with her. Therefore, in her dream, she fictionalized a "casting storm" in which Adam chose a girl who had nothing to do with her under the control of the power behind the film company. Adam chose a blonde Camilla who she didn't know at all, not her own. That Camilla (Rita). This is the fulfillment of Diane's wish of "It would be nice if Adam didn't choose Camilla during the audition" after the casting controversy. This is also the reason why the casting controversy is about and the dream Camilla is replaced by a blonde woman she doesn't know each other. Then, when the scene of Adam and Betty falling in love at first sight appeared, Diane's consciousness also forced Betty and Adam to separate, so Betty left the set.
(2) In reality, there have been two castings. The first time was "Silvia North Story" by director Bob Broker (the director who auditioned for Betty in the room in his dream). Both Camilla and Diane went to audition, and they met at that time. Camilla got that role and became famous ever since. The last time was an audition for Adam's film. Dreams have a condensing effect. Here, Diane condenses these two experiences together.
Dreamland paragraph 10:
1. Rita saw a waiter's name tag "Diane" in the cafe, and she remembered that she might be called Diane. They found the apartment where Diane was staying, and found that a woman had rotted on the bed!
Analysis:
Diane's deep fear finally appeared in her dream! That apartment is indeed the apartment where Diane lives in reality, and the carrion, I wonder if you have taken a closer look: black pajamas, black curly hair on a shawl--that's what Camilla looks like in reality! This is actually the death of Camilla in Diane's imagination. And her death was linked to the name Diane. "Camilla has been killed by Diane!" Diane's consciousness is the cause of this dream.
2. In their dreams, when they were approaching Diane's apartment, they saw a few men who looked like bodyguards. One of them also picked up a blonde woman. Because of fear, they avoided these people.
Analysis: In
reality, Camilla is at least a famous star, and it seems to be the darling of film companies. Therefore, when she came to Diane's house, she always wore a golden wig to cover her eyes and was accompanied by a bodyguard. This is the source of the image of the bodyguard and the blonde woman in the dream.
The 11th paragraph of the dream:
Betty and Rita are escaping home, and Rita deeply feels that she will suffer this bad luck too. Betty helped her put on a blonde wig. Betty invited Rita to sleep in the same bed. The two had sex and expressed their love for each other.
Analysis:
(1) Camilla's desire to return to her side is temporarily satisfied. But Diane's subconscious mind still realizes that Camilla is no longer there, so the soundtrack for this segment has a taste of life and death.
(2) Rita finally put on a golden wig, which should be the image of Camilla every time he appears in Diane's house in reality. Only when Camilla wears blond hair does she belong to Diane completely.
Dreamland paragraph 12:
Rita kept calling the word "silence" in Spanish in her dream. Betty woke her up. They came to a theater called "Silent" to watch the performance. The theme of the performance is "All you see and hear are illusions, they are phantoms." Betty kept sobbing and even trembling violently in the audience. Rita found the blue box in her bag.
Analysis:
This nightmare is almost over! The "Silent" theater is actually the place where Diane and Camilla have been in reality. This can be seen from an actor in the "Silent" theater-the old man with white beard. In the previous dream, he was the owner of the hotel where Adam lived when he was in trouble. The actors in the "Silent" theater are his true identity. The theme of the performance is to expose the illusion, which corresponds exactly to: the dream is illusory, and the cruel reality is about to come. So Betty (Diane), who realized this, kept twitching. At the same time, the blue box also appeared, the most prominent contradiction in reality appeared in the dream, and everything became more and more "real". The "Silent" theater appeared in this dream because of its special theme, and it became the junction of dream and reality.
Dreamland paragraph 13: When
they returned home, Rita took out the blue key. At this time, Betty was gone. Rita opened the blue box alone, and the camera entered the box, and it was dark.
Analysis: The
dream is coming to an end. Betty disappeared. At this time, Rita was almost completely the incarnation of Diane. It seemed that only Rita (in fact, Diane herself) was left in the world, who was helpless and fearful to bear the sins she committed (the blue box).
Dreamland 14:
The end of the dream: Betty's aunt looked around her apartment and left. The camera suddenly shifted to Diane's apartment. The one who slept on the bed was what the dead body in Diane's apartment looked like in his dream. The cowboy opened the door and said, "Beauty, it's time to get up!" The camera turned back to the bed. The body was decomposed! The nightmare is over.
In the next shot, Diane was lying on the bed in the same sleeping position as the corpse, and her friend who changed rooms came to fetch things, and her knock on the door woke Diane up.
Analysis:
Diane is already in a half-dream and half-awake state during this period. "Beauty, it's time to get up!" Did someone say to Diane often before? Is it a cowboy? The cowboy has only appeared in Adam's party once in reality, and he has never shown his face. If it's the cowboy, is it Diane's lover? It is more reasonable that Diane and Camilla often said this sentence to each other before, or it was just said by the friend who came to knock on the door, but why did the image of the speaker in the dream become a cowboy? Cowboy is really a difficult role to understand.
The above is my analysis of the nightmare of "Mulholland Road". I want to say that my understanding of dreams is very superficial. In the above analysis of this dream, some are just my conjectures, and some are just the more reasonable ones of my several conjectures. If I interpret my dreams in this way, I might laugh generously in front of insiders. But I hope to use this film review as a starting point for some psychology professionals who read this article to use professional dream interpretation methods to analyze this nightmare.
I think "Mulholland Road" is already one of my favorite films. I can't remember how many nightmares of my own, but this nightmare of David Lynch may be with me for a long time. This strange feeling may only be felt by those of us who watched the movie, and perhaps only by those of us who have watched "Muholland Road".
The director introduced that
David Lynch was born on January 20, 1946 in Missoula, Montana, USA. Two months after he came to this world, his family began to move continuously, from Idaho, Washington State to Virginia, almost spanning most of the United States, making him what he did before high school. I have changed several schools in the process of studying. What makes him quite proud is that he joined the Boy Scouts of America when he was a child and participated in the inauguration of President Kennedy.
As for his growth process, David Woodland recalled that everything was a very beautiful memory. His hometown has beautiful scenery and comfortable environment, and the streets are full of good friends playing together. The whole world is like a dream, the clear blue sky, the bamboo fence, the green grassland, the cherry trees in front of the door...In short, it is the picturesque scenery of central America. His parents don't smoke, drink, and don't even quarrel very much. They are perfect models of couples. Despite this, David Woods said that he always felt that life was not that simple, and that something wrong must have sprouted in places he couldn't see. He was terrified of such life predictions.
At the end of his freshman year, he went to Europe. He originally planned to stay there for three years to study art, but after only fifteen days he could not stand it and fled back to the United States. He wrote in his self-report: "I remember living in a basement in Athens. The walls were densely covered with lizards, so I began to realize that I had left McDonald’s seven thousand miles away, and I missed it. I have to die. I miss the United States. I finally understand that I am an American and I should live in the United States.” It
was in 1966. After returning to the United States, the 20-year-old Woodland entered the Philadelphia Academy of Art and then spent four years in Philadelphia. (1966-1970), also married and gave birth to daughters here. He described this time as the best and worst day in his life, and at this time he also started making movies. At this time, he was living with others in a slum area. Although the accommodation was cheap and the space was large, he often saw people die in front of his house. The door was smashed twice, and there were bullet marks on the glass windows. Until he later moved to California and recalled these days, he didn't know how he and his family spent it. The experience of this period is the inspiration for his filming "Eraser Head".
Feeling that he couldn't learn anything, David Woods dropped out of school at the Philadelphia Academy of Art and decided to make a movie by himself. He filmed a four-minute animation film "The Alphabet" and won the American Film Institute (American Film Institute) to participate in the competition. As a result, he defeated many senior contestants in their forties and received five thousand dollars in funding. Finally, he can start filming his first 34-minute feature film "The Grandmother".
After that, David Woods began his long film creation process. In 1970, he entered the American Film Institute to study film studies. After making several works with very different styles, he finally got the opportunity to enter Hollywood. In 1980, he began to attract attention with a thrilling and moving "Elephant Man", and slowly established him. Unique personal style.
Related works:
Mulholland Drive (2001)
Straight Story, The (1999)
Lost Highway (1997)
Twin Peaks: Fire Walk with Me (1992)
Wild at Heart (1990)
Blue Velvet (1986)
Dune (1984)
Elephant Man, The ( 1980)
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loved Wife found out, concentrated wine drunk I discovered, you can not be my Poetry, just as I can't dream your dreams...
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