1. The fat animal in the picture is called Dodoro in the film
2. Dodoro is actually a rodent
3. My Neighbor Totoro is actually a bus of Dodoro in the film
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We are attracted by "My Neighbor Totoro", but the envy and yearning is not because There is a lack of Dodolo by his side.
Dodoro is not an omnipotent fairy, nor our dependence and sustenance.
Without Dodoro, my father would still wait;
without Dodoro, the little tree would still sprout;
without Dodoro, my sister would find it sooner or later.
With Dodolo, my mother still failed to leave the hospital and go home.
What makes us truly moved and fascinated is the most ordinary, trivial, simplest and most sincere feelings and life.
What makes us jealous is their satisfaction and happiness.
When the little sister squatted like a frog by the pond to catch tadpoles, when she was curious to catch up with the little Dodolos who were moving urgently
, the quality education and comprehensive training for us and our children in the future seemed so cruel and feeble.
I saw my father and the sisters race home to worship the god of the forest,
I saw my little sister leaning on her mother-in-law , weeping, saw my
sister huddled in her sister’s seat to listen to class together,
saw the whole village move out to find lost children, and
saw my mother There was a crooked little crab on the letter I received.
Even seeing my father shaking his fan and talking to mother, he couldn't hear the content and couldn't see his face clearly, but he could still feel full of happiness.
The natural dignity of human nature revealed in the film further contrasts the wretchedness, helplessness, and anxiety of current life.
Everything that makes us utterly exhausted, and what we have paid in exchange for how much grievances and prices we have paid, is
not a problem here.
It turns out that a happy family, a happy life, and human dignity are not too difficult but too simple. It is not hard to change money but not enough money.
It's that we abandon or lose the most basic things of those people as we walk.
Then life becomes a process of redemption, the longer the time, the higher the interest.
We actually grab the so-called sense of accomplishment and happiness in the process of making up for it, and set it as a social success criterion.
If it's not Dudolo, what happened in the film is trivial and plain to the extreme.
It's just that Hayao Miyazaki extracted an ordinary fragment from ordinary life.
But when he erased the materialistic commercial atmosphere and erased all the dispensable interpersonal relationships,
we were surprised to see Dodoro and the real world of human nature.
If it is said that Todolo is not the cover of magic played by Hayao Miyazaki,
then perhaps, following Miyazaki’s guidance,
from chasing the ever-changing red dust outside his body, he asks his own heart,
a different world, a joyous and clear mind. He even brought a little bit of fantasy, and the world like Dodolo beside him would show up.
And this may be a metaphor for Dodoro.
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