Patrick: Is that Mirabelle?
Amanda: Annabelle.
Girl mother : You are a godsend, Patrick, bye. Patrick: Is that Mirabelle
?
Amanda: Annabelle.
Patrick has always been a morality Struggling in the dilemma, in the end, he made a choice between the dilemma. He was not sure whether it was right or not, but the right part should always be a little bit more than the wrong part, he might think so. (Unfortunately, the standard of right and wrong is invalid in this case) Tangle like me, in this case, I can't make a choice at all. Just because I can't choose, I can't judge the choice of the actor. (Although I think it is better for the child to leave the child to the old sheriff to raise, but I can't help but admire the hero's behavior that pays a huge price to adhere to the principle), until. . . . . .
Until these last three lines. The drug dealer’s mother is of course dereliction of duty as always, but this does not prove that Patrick is wrong, nor can he be sure that Patrick is wrong. When Patrick leaned against the wall with a melancholy expression, looking at the mother and daughter who influenced him the most but actually had nothing to do with him, he was lost, he was eager, and eager to find proof that he was right. Evidence, because he doubted it very much, and because his choice made too many people pay too heavy a price. So when Helena praised him as godsend before leaving, his heart felt a little better. After all, he fulfilled the promise to this woman that day, brought back her daughter, and even gave her a brand new one. Life. As a result, his serious expression eased slightly.
He sat on the sofa with the little bit of joy just now. Perhaps because of being praised as godsend, he smiled like an angel at the angel he saved next to him (the male protagonist’s most beautiful and heartfelt smile in the whole film). At the same time, he started a casual pick but was once The topic of the news focus-Amanda's doll.
"That's Mirabelle, right?"
Amanda replied tenderly "Annabelle." in a heartbreaking voice.
Then, the male lead's smile solidified, and the angelic brilliance in his eyes was fleeting. Because, he suddenly understood that those groups of people who came forward and succeeded, those reporters who came in droves, those entangled neighbors, those policemen guarded by layers, those so concerned national audience (the same place did not have four people dead. Does anyone care? Even the male protagonist himself. All those who claim to follow Amanda and claim to work hard to save her. From the beginning, even the name of the doll that was used to enhance the tragedy and seditiousness was wrong. of!
Are they really here for her? Do they really care about her most? Are they the ones who love her most?
The person who loves her the most and who truly spares no expense for her happiness, one who left her beloved boyfriend, some went into the cell, one lost her husband, and moved out of the district, unable to see the child again, and one, Died on the rooftop, saying: I love children. (I love children).
And all of this is actually the result of the male protagonist's hard work.
Is the choice you made for her or for you to be able to make it right? Really, just like you never knew the name of the doll, you never knew Amanda, and you didn't really think about it from her perspective. You found all the answers, but you did the questions you shouldn't do. Your logic seems to be right, but like you said life is a motherfucker, it doesn't speak logic. Is it true that getting right is more important than Amanda's happiness? So many people don't think so, even though the price is so high.
So he turned his head to watch TV, and didn't move.
This line is so strong!
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