If the film does not have the final 20-minute plot and ends at about 90 minutes, then I will be happy to give this film a five-star, and consider whether it can be included in my personal movie list. However, it did not. Therefore, throughout the article, the strongest personal impressions finally fell on the two words, pity. I don’t know how the film performed at the box office that year. I don’t know whether Schwarzenegger’s popularity helped the film sell to the box office that investors wanted, but, in a sense, in my personal viewing. In the experience, Schwarzenegger provided a reactor to ruin the film’s conviction, and the director’s final choice was the same as the film’s protagonist.
Regarding the protagonist's experience, whether it is a dream or reality, I don't want to discuss this question. I prefer to treat the whole story as a science fiction film full of anti-scientific common sense. Those settings that violate scientific principles are more likely to be regarded as the BUG of the script setting than the foreshadowing of thinking of them as dreams. This choice is indeed very subjective, but as I felt when I watched Huang Bo's "A Good Show", this film has stepped on one of my personal minefields, so I should not be in the future. Will review it again, so it is destined to leave only the first viewing experience. As for the foreshadowing meticulously buried by the film, I am too lazy to look for it, and I will not be full to help explain it. And all of this could have been avoided.
I personally like a Hong Kong suspense film, "The Detective" starring Liu Qingyun. Of course, it is limited to the Hong Kong version. If the film ends at 90 minutes, the villain’s plan is successful, the protagonist is successfully brainwashed, and Hasuer is reborn, then this film may become the third "Detective" in my heart. The various plot arrangements and reversal sections in the front are reasonable and worth seeing to me. In the end, everything goes to the dark ending, the theme is sublimated, and the story line is perfectly condensed. It is a masterpiece. However, at this time, a landmine exploded-about 87 minutes of the film, accompanied by a few violent twitches at the corner of Schwarzenegger's mouth, then he pulled out the fixing device on his hand with the screw. That's right, he pulled out the fixing device on his hand with the screw...
When I saw this scene, I just wanted to shout in my heart—Holly shit! The next sentence is probably an F***. The first few shots specially gave close-ups of the hands and feet of the handcuffs, as if they were telling me that the lock was very strong. In the next second, Schwarzenegger pulled out the screw even with his arms in place. , So what do the previous close-ups mean? Is it just to reflect Schwarzenegger's weird power? Is it to please Schwarzenegger's personal fans? Of course, someone may refute me. The whole story is a dream, in which everything is possible. However, what I am very curious about is that if the protagonist of the film is not Schwarzenegger, but is replaced by a thinner, such as Colin Farrell in the 2012 edition, will this segment still behave like this? (I haven't read the 2012 version. If it is unfortunately stated, it is really a huge misfortune.) If you are really a thin person, even if you let the heroine break away, I can immediately understand that this is a dream, but it is wrong. It's Schwarzenegger, which has to make me think that it is purely to show his muscles, and at the same time, it may also imply the selfishness of the director's pretense-I just don't tell you clearly whether it is a dream or reality, ha ha, Just play! Then play around! Therefore, I feel that, in a sense, Schwarzenegger ruined the movie.
In my opinion, these shots are completely comparable to the line at the end of the mainland version of "The Detective"-"Hello, I want to call the police, in the department store, I killed someone." There have even been. There is nothing less than it, after all, there are still 20 minutes of plot behind this! To be honest, although I really like the dark ending, I ask myself that there is still a gap between this kind of affection and the degree of preference. Putting it into this film, I didn't dislike a bright ending, but the transition from darkness to light was achieved through such a mentally handicapped plot transition. To put it simply, I feel that I was teased by the production staff. This is the kind of typical. I personally call it the turning point of the flying dragon rider's face. In a word, I am about to turn. The staff didn't understand it, and I didn't care at all. Anyway, I'm going to switch, because if I don't switch, I can't play anymore.
So in order to go on smoothly, the Black Brothers will be arranged to send assists immediately afterwards-you think I am driving an excavator to kill the protagonist, kidding, of course I am here to help the protagonist dig the wall! Oops, the wall is dug through, you guys go in and fight the villain, and then save the world, let's Happy Ending together! I'll go offline first!
Excuse me?
After these two episodes, I don’t know if Mars will explode, anyway, my mentality is exploded! Forgot to read a comment-"the apex of the same type of science fiction film", that's it? All right! Which rubbish marketing account gave 80% of the evaluation. However, this evaluation could have had a chance! But the film finally chose a completely commercial ending: the hero and the heroine, burst the world, save the world, a classic American hero movie. And in the process, it naturally inherited a major feature of the commercial film-Feilongqi's face transition.
Maybe the director thinks he still wants to be forced. So at the end of the film, I also reminded the audience-is this all happening in real life, or is it just a dream? I haven't told you the answer yet? Am I not a bull?
In this regard, my answer is: Yes, you are the best! Take your American Hero Story and American Kiss back and listen to your bragging!
In the end, the scissors of the radio and television, the garbage forever, the total garbage!
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