The whole movie is solid, serious, and really re-commits all the shortcomings of Zhenglian that year. The headaches of the year are still unresolved. The excessively long volume also magnifies the original story line problem.
The main extra time is given to Flash Steel to explain the background, but does this solve the problem of character creation in the original version? This part is not necessary for the audience familiar with dc comics, at most it is a point that echoes the comics, but for ordinary audiences, this processing is too embarrassing. This page is stuck between the expansion and the non-expansion. Everything seems to be said but it is I didn’t make it clear. The steel-bone story line is related to the main line at all. I didn’t want to understand the 10,000 single-player plots of the flash that have anything to do with this story. I even think it’s better to leave clues in the cinema version. At least it is simple enough, because there are foreshadowings in bvs and it is not abrupt, and I can still shoot two origins when I look back.
Uncle Da's line doesn't say anything...it was chopped off when he came up...I...one more who didn't cut his head? You say that the old god is too strong. It doesn’t look like this. In short, Uncle Da came up and was short of breath. Later, I saw that this is the anti-life equation line, including the last nightmare line, which may be a foreshadowing of the future. Am I thinking about communicating with the factory next door? There is something called an easter egg that is specially used to do these things. It is very complicated to put all the branches into the feature film. It will not only procrastinate but also disrupt the original rhythm. The look and feel is uncomfortable. In addition, the film is still Using the subtitles that everyone has used in junior high school composition, it will inevitably create a sense of confusion
The master line is even more outrageous. The original version more or less explained the motives of finding clues from Luther’s notes and then gathering jl. The guide cut version was directly deleted, and then it was beaten by soldiers and super beaten until the end did not stand up and clean up a few. After the miscellaneous soldiers continue to be invisible, the original version of the original resurrection of the Super League still left Louis's back. Although it is very forceful, at least it can show that the master is still using his brain. Now it is okay if the reporter man happens to be present and the master is gone. There are still people. It is said that Louise comes here every day, the master pinch the time to calculate the right time, am I really...? The master also really dare to bet that she is not afraid of waiting for a red light. The previous inner activities are gone and the interaction with the heroine is gone. It’s hard not to confuse people. The role of such an important series task line is arranged. Isn't it too perfunctory? What’s even stranger is that the grandfather fans with the strongest combat effectiveness in the US comic circle didn’t make any noise this time, and they were so submissive that they made me think that my grandfather fans were all Zaslin.
The final battle is basically the same, One Punch Man or One Punch Man, Steppenwolf died even worse... The result was that the crystal was almost dismantled because the line was not cleared, but the rescue match was deleted anyway, and the Flash had it. For other functions, I left a line for the flash point and not much to say. I left a big foreshadowing at the end. The function is basically the same as the court death in Fulian Yili. The look and feel is better than the theater version. A little...
The Martian hunter as an easter egg is really inexplicable. Anyway, you don’t know what he wants to do. When I became Martha, I was still looking back at the conversation between the two people. As a result, what did you become a woc when you went out? Looking back, I can't guess the intention at all. Is it foreshadowing? But your foreshadowing time is too long
I still want to take out the questions from the past and ask them again. Warner is determined to put so much content into a movie? I also can’t deny the possibility of dceu joining first and then supporting, just like bvs’s treatment of female heroes, at least the logical and smooth design is also exquisite, but the Zhenglian is a big team battle after all, and it was also used as a multiplex of the group image back then. A few movies and a few easter eggs basically set up the story line of the characters. Even the relatively second-line eagle-eyed widow sister has completed the first show and has a basic image, so there is a classic a6 assembly.
But Zhenglian is completely different. Bvs can have a sudden appearance of a heroine with the same enemy, but Zhenglian can’t. It is still because he is a large group battle group photo, so he must complete the character appearance and construct a process from generation to conflict resolution. As for Aquaman Lightning Is it really important to explain the background of the characters of Gang Bone? No, the character creation does not conflict with whether the background is explained. What he did and why he did it is the most important part. The method of plumping the image through a branch of the background line is really lazy, because this is not at all. What a movie should do. The biggest difficulty of Zhenglian's script is how to use the characters that have already appeared on the scene and the new characters to construct contradictions. Therefore, there are two kinds of routines: strong enemies and internal conflicts. The two versions are basically the same in shaping the strong enemies. The original version chats. Nagging like a god-stick, now nagging like a licking dog, anyway, Da Chao is a punch, not strong; as for internal conflicts, the original version revolves around the conflict caused by the resurrection of Da Chao. Even weaker
I am a story-oriented person. I insist that everything from the storytelling, soundtrack, editing, etc. is to serve the story, at least for an A-level commercial film. However, if we only say that the plot of Zhenglian is poor, it is inevitable that there will be corrections in the past, because Super British movies basically do not consider the ending, and the plot of the 1234 movie next door can not be said to be better than Zhenglian, but at this time Reflects the advantages of the layout of Marvel movies: when the story requires, such a person can appear in this way, such as Fulian One Thor, Fulian Three Bankers, so the plot is very easy to push , The rhythm can also be maintained online all the time, which is really important for theatrical commercial movies. Of course, if some dc fans think that their films do not need commercial recognition, they only need richer connotations and more obscure metaphors so that they can pretend to be coercive and stand next to the aesthetic commanding point, then when I didn’t say it, as long as you are happy
Now I begin to feel that it is not easy enough for the taillights to be able to express at least all that should be said while drastically streamlining. At least some things should have been explained after the guide cut version appeared. Zhenglian's script cannot support such an important one. For a movie, this has nothing to do with the director, or even the screenwriter, so it shouldn’t be said who’s in charge of it.
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