All I see in this movie are lunatics

Alexander 2022-11-26 17:25:41

The old beggar is clearly Socrates and the little beggar is Glaucon. Socrates explained to Glaucon how to build an ideal state. Socrates had all kinds of ideas, but every time Glaucon answered only one sentence: "Yes" or "Yes", and occasionally argued a few sentences but gave them to Su Crates refused, and he had to find food to feed the idle Socrates. In the end, the little beggar didn't talk about pain, but talked about how to build a swimming pool before he died, which reminded me of the Phaedo. The girl living in her uncle and aunt's house may be Wittgenstein, quiet but unusually violent; with strong suicidal tendencies, but a serious fear of being forgotten by the world. Russell understands him, but Russell doesn't understand him. The father who made the brushes had many children, but they were all born to his wife. One day the child discovered the truth and asked his father, "Are you my father?" He replied, "If you think I am your father, I am your father; if you think I am not your father, I will Not your dad." - This dad is clearly a logical positivist. The miner in red is Berkeley, who lived in his philosophy room at first, but he drank too much and went to the theology room to fool around; the miner in yellow was Nietzsche, who originally lived in the theology room, but after drinking too much Go to Philosophy's room if you want whisky. The two ran back and forth, but in the end Berkeley succeeded in picking up the girl, but Nietzsche was so drunk that he didn't know anything. Maybe the only normal one is the old man. When the thief came to steal his things, he gave him the money, but the police caught the thief, but he refused to identify him; the person seeking death scolded him as a murderer, but he was still taught by him and lost his way. In the end he saw the child die, put down the candle beside the grief-stricken father and walked away quietly. He is perfect, but who is he? A drunken man who woke up from a drunken madness gave us a tip: "He said he was going to exchange our lives with me, but I think, he lives so high up so high up, it makes me feel guilty, I'm guilty." - ------------------------------------ The dividing line does not understand these --------- --------------------- The person who made the movie made his phantom, but the person who watched the movie saw his own mysterious body - that's right , I'm also a logical positivist. Well-off

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Dodes'ka-den quotes

  • Beggar: Our house ought to be built on a hill. We Japanese used to build houses in valleys and mountain coves. We've always preferred the lowlands.

    Beggar's Son: That's true. I saw pictures of foreign countries. They have their houses in high places, but ours are in low places.

    Beggar: There's a reason for that. There are many earthquakes and typhoons in Japan. Wooden houses in high places are easily shaken by earthquakes and typhoons. So they chose the lowlands to avoid the danger. But that's not the only reason.

    Beggar: [continues] The Japanese prefer soft light to bright sunshine. We like shady places. We like to live in the midst of nature. So we couldn't get used to concrete houses.

    Beggar's Son: That's right. I don't like concrete houses either. They're too cold for me.

    Beggar: But we shouldn't forget one thing. It's true that wooden houses suit the Japanese people. But we mustn't cling to our culture and characteristics if we become weak and lose endurance as a result. By living in houses made of stone, iron, and concrete, foreigners have strengthened their characters and capabilities. Now we're building our own house. We must take our future into consideration. We must think of you, your children, and your grandchildren.

    Beggar's Son: Yes, that's true.

  • Beggar: I've been thinking all evening about the house we're building... Looks like you're sleepy?

    Beggar's Son: No, I'm not sleepy. I'm listening.

    Beggar: The gate comes first. The gate is the face of a house. The face shows the character.

    Beggar's Son: Mm hmm. That's right.

    Beggar: Since we're building a house on a hill, it must be in a European style. How about rococo? Or Spanish style? British style isn't bad either... They're a bit showy. It should be neither too fancy nor too imposing. I want a gate both plain and inviting.