There are many characters on stage, and the angle of presentation is complex. In just two hours, it is possible to sort out and explain the huge nuclear disaster film with a huge framework. The director (and screenwriter) has basic skills. It's a pity that there is no other aftertaste other than a dull critique, and it's essentially untouchable, and it makes sense that it didn't beat "Train to Busan" released in the same year.
According to namuwiki, the film's 15 billion won Korean film investment has not exceeded the profit and loss point, and the difference is about 1 million people. The dialect of the male and female protagonists has also been criticized by some critics. Kim Nam-gil dressed in sportswear as a sloppy ordinary person, ending with the sacrifice of little people, and saying goodbye to relatives at the end is the best; playing the mother is very good, stupid and true; Kim Myung-min also has a wonderful charm. On the whole, all the actors are good but not eye-catching. The director pays more attention to the big frame than the people (he did it right). In terms of awards, the performance of the actors presented at the end of the work is not only related to their own level, but also has a lot to do with the plot of the script and the setting of the characters. Otherwise, how can there be a saying of "carrying a sedan chair". This film has almost nothing in terms of awards, and it is easy to understand if you think about it. Realistic disaster films are not used to lift people.
View more about Pandora reviews
