Here I will mainly talk about my understanding of some of the ambiguous parts of the show:
After reading a lot of film reviews, I feel that everyone agrees that it is the mother's soul that entered Anna's body, but I still feel that it remains in Lucy's body The soul is Anna.
After exchanging souls, Lucy touched her face and murmured, "A living person." In addition to indicating that the body is indeed Anna, it may also indicate that the hostess had exchanged more than one dead person for her before. body of.
From the hostess scolding her: "Anna! Dance!" Here may also be seen to echo the above assumption: the hostess doesn't care whether the body is her daughter, as long as the soul that can dance is.
Then, the Anna's body that was made into a doll might not be Anna's first body either. There is a doubt about this hypothesis: why is this body turned into a doll? I think it should be a coincidence.
The body is now this Anna ran out, enjoying the sun and the lawn and the air. (The female nurse at the beginning of the film asks Lucy to open the window, saying, "You can open a window; for fresh air or for sunlight; even plants need to breathe, right?" Contrasting Anna's pitiful situation.)
But she couldn't hit by sunlight. The hostess was very angry. In order to make Anna remember this lesson, she trained Anna very harshly, but she did not expect to break her [here the hostess is obviously panicked]. In order to completely prevent her from running out, she nailed her eyes [blocked her soul] and installed a machine to make a doll.
In addition, Lucy pacing slowly on the lawn after exchanging souls also shows that Anna is in her body at this time, and she is enjoying the body of a living person and can feel the world well.
But I think the two souls of Anna and the appearance of her mother are also important foreshadowings. I can't figure it out here.
And the last flight of Anna, if the body is Lucy's soul, it seems that the meaning is reduced a lot.
This drama may be hot for a while recently, I hope someone can answer it for me
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