He left the stage early. Dear Mr. Director.

Kaleigh 2022-10-26 17:24:33

He left the stage early. Respect to Mr. Director.

How charming is an act that knows how to express emotion with lines and colors! (I saw a portrait with a red face and black short beard in Jean-Luc Godard's film "The Chinese Girl")

Stalin had red eyes, "Marx emphasized life and science", the Japanese broadcast on Beijing People's Broadcasting Station , French girls in the 1960s talk about the Chinese Cultural Revolution, black boys are reading texts in class, students are binding red books, Lenin is still wearing his peaked cap. Young people assemble bicycles and plan to drive from the West to the East... one There are their thoughts in the smoke. The

blue door is opened by the red door. Why is there a basin under the cup

. ?Why should we listen to an old man talking about revolution? Why should we listen to a group of middle-aged people talking about peace

? day smoking. We use this house to destroy the enemy.

Ask people who have nothing to do to get dressed, and I will use a bow to fight them.

The people watching have already gone to sea. What kind of girl is Comrade Jiang Qing? Give the person who was lost in the handkerchief a movie ticket. A hat with God's fingerprints on it. Good news from the Izvestia.

Against what you just heard.

He left early. Respect Mr. Director.

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Extended Reading

La Chinoise quotes

  • Francis: But your idea?

    Veronique: To close universities.

    Francis: But how?

    Veronique: With bombs.

    Francis: With bombs? Are you going to... Are you going to throw bombs?

    Veronique: Listen, when one starts killing students and teachers, they won't show up, and so the universities will close.

    Francis: But tell me are you doing it alone?

    Veronique: Well, there are two or three of us.

    Francis: Two or three, but...

    Veronique: But for example you during the Algerian War when Djamila Bouhired blew up cafes, you were there, you defended her when Marshal Juin and then those L'Express guys were against her.

    Francis: Uh-huh.

    Veronique: All of France was against her except for you.

    Francis: Yes, that's right. But there is a difference, and tell me if I'm wrong.

    Veronique: What difference? Please explain?

    Francis: Because there was a whole people behind Djamila. There were men and women who had already entered the struggle...

    Veronique: But it was for...

    Francis: Pardon?

    Veronique: It was for indipendence, and me too, I want my independence.

    Francis: You want your independence, but how many of you want it that way? I asked you, and you said two or three.

    Veronique: Precisely. There are many who don't think about it yet. So we think for them now. It's for them.

    Francis: Do you think you can make a revolution for others?

    Veronique: But Francis, you agree that work is struggle?

    Francis: Of course it's struggle, but what is the struggle?

    Veronique: Look, if I want to know the theory and methods of revolution, I'm obliged to participate practically in a revolution.

    Francis: You can participate in a revolution but not invent one.

    Veronique: Look, if I want to gain knowledge, you have to go through practice, right?

    Francis: Yes.

    Veronique: Do you agree?

    Francis: Yes, I agree, but revolutionary practice nevertheless presumes knowledge of the situation. Do you know?

    Veronique: Yes, I know the situation. Everything is wrong.

    Francis: You know it, but do you know...

    Veronique: And it makes itself known to... to...

    Francis: Do you know what can be done to remedy it?

    Veronique: But you do agree that all genuine knowledge originates in direct experience?

    Francis: When you believe in direct experience, does it tell you what content to give to your action next? Because terrorism, it's only the beginning of action. It's terrorism, isn't it?

    Veronique: Yes, it's terrorism.

  • Henri: The silence of the infinite space. It's not the silence that scares me, it's the sound and the fury.