Godard's film looks really strenuous. Some people hate the pirated disc maker's text introduction on the cover, and this time (and only this time) I want to give it a big reward. If it didn't have that text, I would I'm not sure I can watch this in a good mood. Godard and his wife, Anna Karina, completed a difficult masterpiece. But I have to quote the introductory text on the cover first: "Terrorism is far from us. It’s not far away. In these films that deeply depict terrorists, they will be glorified to varying degrees, and there may also be audience sympathy and questions about the regime’s ideological propaganda. Perhaps there are so many ideals in the world There is always a part of the terrorists in the movie who are as embarrassing as Bruno in the film..."
Some people even described terrorists as ideal, and suddenly thought of a meaningful sentence that the master said when he played CS with the master: Being a police officer has no future, so you must be a bandit. Perhaps this is also one of the ways of presenting idealism.
Bin Laden put a small psychological burden on the American public in September this year, and some sloppy selfie videos challenged the Bush's fragile and irritable nervous system. Is he fighting for his ideals or fighting to the death with the Yankees who are constantly thinking about his death? Bruno's steadfast and stubborn spirit is explained by Godard as I don't know why, maybe it's because of my face. Although I don't know what principles, positions and attitudes, I still have persistence and perseverance that I can't give up. It's so difficult to "soften" my position, and this situation is more caused by things other than beliefs. Things. As the creator stated: "We have no way of understanding the life and psychology of terrorists, nor can we be sure that Godard's description of Bruno is the real situation of that part of the terrorists, let alone that they are engaged in such a career because of real ideals It's still a dilemma. As Bruno reiterates to Veronica in the film, it's something more important than ideals, and there's a lot more."
In each of Bruno's dialogues, Godard arbitrarily adds a lot of voiceovers that allude to the psychological development of the protagonist. To be honest, I like this, and Woody often does it. For example, at the beginning of the film, he said, "I am too old I can't be the protagonist", a very interesting narration. For example, Bruno said to Veronica, "Beethoven is suitable for late night because of its solemnity, and Haydn is suitable for early morning..." Haydn is the "father of symphony", his G major Symphony No. 94 is more famous. It is said that the purpose of this piece is to laugh at the arty ladies sitting in the box who do not understand music and who suddenly join a whole The strong dominant seventh chord played by the band. This is Haydn's profound; and "Le Saint" Beethoven, you can say that his Bei Jiu is profound and solemn, but the Ode to Joy is really exciting and refreshing... Sorry, these are really different from It's nothing to do with the title, it's just a voiceover that hints at my psychological development. It's
time for the introduction, lest people read what I've written more than if they didn't, Bruno, played by Godard, is a "French intelligence reporter", at least he himself That's how it is described. Others think he is an "Infernal Affairs". The biggest feature is that he is thankless on both sides. No wonder he writes "Painless May" and "June, Cut to the Heart". "Love each other" and so on.
And what about Anna?
Two intelligence agents teasing each other:
I bet you want to tease her.
No, I only tease the girl I like.
Just stay with her for 5 minutes and you'll like it Fuck her.
How much are you betting on?
I don't know, $50, if you want.
$50 I wouldn't like her.
Bruno likes women without makeup and likes women lighting up cigarettes. Maybe because of that, He lost the $50, and this "she" naturally refers to Anna. Then Bruno asked:Why do you love me? Veronica replied: I don't know, because I'm crazy. Maybe this can explain their relationship for you.
Wasn't the film staged because Godard despised the actors? Although he did say in Bruno's words that they "are just being called, I despise actors. You make them laugh and they laugh, you make them cry and they cry , you ask them to climb and they will climb. I think it's weird" such a rebellious thing, but Godard thinks it's nothing, that's his deepest and most real idea. But that's not why I think he doesn't rely on actor drills to express the problem . Maybe you can put an adjective "one" before that. It's a film that is read aloud, the director acts as the actor, and the actor acts as the tool. Godard and his wife tried the law. Lots of narration and content related to the film itself Lines that are far apart reveal his secret:
Bruno says: I like Germany because I like Dubelli and Luis Aragan films; I like Germany because I like Beethoven. I don't like Beco because of Spain I like Spain because of Becorara; I like America because I like their cars; I don't like Arabia because I don't like deserts, I don't like Colonel Lawrence, I don't like the Mediterranean and Albert. ..the Arabs are lazy, but I have nothing against them; no prejudice against China, no, I want to ignore them...
He also said: age is very unfair for women, women can't be more than 25 years old. Women tend to commit suicide by jumping off the subway or out of a window, because they can't turn back and disrupt their initial attempts. Men tend to cut their wrists. They're both brave and timid. It's
fucking loud.
Vero Nika just said: It is very important to have ideals, and the French have no ideals. For the Germans, they have ideals, for the Argentines, they do not. Although I know, she also said it for Godard .
As if that wasn't enough, Godard also had a bunch of chattering narrations with some side-by-side explanations of "one never has to become a suicide, difficult and endless. You always give yourself too much There are so many reasons to explain why I can't pull the trigger this time. Maybe it's just a few seconds of inexplicable hesitation. Or some kind of stubborn disease in my heart. It's the depression that can't kill", "I think everyone has ideals, but they They are losing some more important things. God also has ideals", he emphasized some concepts about film shooting, such as "photography is a fact, and the film is also true", some extreme personal views, on the decision: "because I I don't know everything, so I deny everything", to death: "As a realist, death has an advantage, and this advantage is: not to die again", "to men: "Life says women are right, but puts Death gives men. And something more important than ideals, more important than not being conquered", to truth: "Perhaps men keep saying like gold diggers: seek truth. Instead of digging riverbeds, they dig Truth. "To Wisdom: "Strength is more important than Wisdom"... Godard said of Lenin that "he reconciled the left and the right" and also asked Lenin to explain Bruno's future: "There are no easy tasks for the revolutionary cause , and there is no easy way".
Godard is a reader, and this is the truth presented 24 times per second.
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