The original is the same as STAFF - this is the first and the root cause of all the similarities written later. By the way, the characters in the two works are very good-looking, regardless of men and women.
The same world - in this world the author actually wrote four novels, here are just two of them.
There is an opening animation of the same style - I really like the opening animation of these two films.
The same style of BGM.
It is also a group portrait, and the protagonist cannot be found in the same way - so much that the protagonist cannot be found, it is better to say that the protagonist is actually a dead thing (ikebukuro/immortal wine). In this sense, it is more appropriate for DRRR to change its name to "Tokyo Ikebukuro Rare Stories", and there is no need to regard Celti as the protagonist.
Also clearly mentioned in the plot of "Three Kingdoms" (said the Japanese can understand the Three Kingdoms and Romance of the Three Kingdoms), mainly composed of three parties to form the main body of chaos - Dollars, Yellow Turban Thieves, Sin Song/Chicago Bad Boys Group, Russo Family Killers (white), ghost group (black). All three parties have similarities to each other.
Shu - A bad boy group led by Dollars/Jacuzzi led by Dragon Peak Teijin. This faction is representative of benevolence and righteousness, and they are all good people in the film, playing the role of intending to end the chaos. Emperor Longzhifeng and Jacuzzi are even more similar. They are both seemingly weak, but have a strong side in their hearts (Jacuzzi often washes his face with tears). They represent Liu Bei. Although they have no fighting power, they have attracted many capable people. Alien's help. This party also likes to have common people join their party (Dollars/cooks and bartenders in food trucks).
Wei - Huang Jin thief led by Ji Tian Zhengchen / Russo family killer led by Ladd. This faction has the greatest combat power when the other two factions have not developed, has the most soldiers and horses, and has the most fierce morale. They play the role of a bad guy in the film, but the leader has a certain charisma. They represent Cao Cao . Usually they're the first to break the rules of the game and then mess things up (accidentally wounding Anri Sonohara/Beach shooting in the dining car). Their leaders both love a woman (Mishima Shashu/Lua) and have a big failure because of this woman (Kida quits the Yellow Turbans because Shashu was injured by Blue Square/Ladd gets killed for trying to save Lua) Vino defeated), but in the end it was all with this woman.
Wu - Sinsong led by Anri Sonohara/The black-clothed group headed by Chane (it's not really suitable to apply to Wu, but it's because the other two countries are occupied). Similarities on this side center on their leader. They are all female, they both have an identity (mother/daughter), they both have a telepathic-like ability (controlling the sons/talking to Hue), and they are the most mentally handicapped of the three chiefs . The party they led actually did nothing to affect the situation in the three-way melee, and the leaders were all cold-blade weapons (knives/daggers). I don't think it would affect the melee without them, and they were added purely to describe the leader. ]
Then talk about other characters.
There is a person who is extremely powerful and wins in battles - Shizuo Heiwajima/Vino. They all have their own set of justice and play the role of ending the melee in the plot (Dollars' fight to protect Anri's escape was ended by Shizuo Heiwajima/Ladd was driven off the train in the final three-way melee), and their opponents are usually It is the strongest party (Yellow Turban Thief/Ladd).
All undead appear, and they all live for hundreds of years - Celty/Man on a Ship in 1711.
There's a pair of idiots - Walker Yumasaki and Erika Karizawa/brain couple Issac and Miria of the Dollars quartet. Although they have plots, they usually do not affect the three-way melee.
There is a powerful informant - Rinya Orihara/Daily days newspaper. Although they claim not to affect the development of the matter, they all use the method of concealing part of the information to affect the situation.
Another very important thing - there is something called "Dallas" in both works (Dollars/Dallas Genoard).
Of course, most of the similarities are in the characters and story structure. There are many plots other than the train in the wine of immortality (the story of the Martillo family. The story of Genoard's sister looking for her brother), these plots are actually almost unrelated to the plot on the train, but are linked by the clue of "wine". , through the constant flashback of the timeline, you can't realize that you actually watched several almost unrelated stories. In contrast, DRRR's character system is relatively closed, everyone is related, everyone's stories are linked, and the plot assigned by each person can correspond to his past events, giving people a kind of Ikebukuro. It is the feeling of the whole world. In fact, the difficulty of describing it may be higher than that of "Wine".
Many people say that the wine of immortality is better than this one. In fact, each has its own merits. Both have precious things that the other does not have. DRRR focuses more on describing the ordinary and extraordinary behind each character, which feels more like a group portrait or a dreamy urban legend. Although the latter has a sense of sad fate that spanned two hundred years, the companions who were once on the same ship became slaughtering each other for immortality, but because the main story is too exciting, the things behind these that could have been deeply excavated were diluted. For those who are dissatisfied, please polish your eyes that are good at discovering beauty, and feel this wonderful place.
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