Originally I wanted to talk about animation, but I wrote and wrote about the game, so I simply deleted the animation part. This article is only related to games.
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Say whatever you want.
1. At the end of the prologue: "...she is very similar to Hong Lixi."
The prologue is very rushed and its purpose is very clear. At the end of the prologue, at the same time that the love-accompanying version of Kurisu appears, the script tells the player through Okabe's mouth that she is very similar to Kurisu. It's just like - just because of her resemblance to Kurisu, her light is enough to illuminate this work.
Are you feeling sad?
2. The roles of Komi Nase and Kaede Kashima are very vague.
The first and most important thing is to increase the credibility of Mayuri's character through methods such as supplementing the background board (friendship, hobbies), which involves a legacy from the previous work, etc. Let's talk about it later.
Second, the plot where Kaede used to play the piano and told the truth about Mozart and Salieri helped a little with the plot on Maho and Kurisu's side, but in fact, "Maho (Saleri) - Kuri The whole structure of "Su (Mozart)" is broken, so it doesn't help much.
Third, use Komi Nakagase's low-profile magic eye to let the governments of various countries have a sense of presence in the world line that still exists in the Soviet Union, so as not to make the whole story lack the sense of reality too much, and at the same time let you know why it is always The professor with his right hand on his chest is going to brainwash one more acquaintance, which makes his face a little bit more hideous.
It is estimated that the fools have seen it, and they make the best use of everything, and none of the characters are wasted.
Too deliberate, a little too formal. It shouldn't do that.
3. Huke's picture is really a kick in the sky.
I know you like Hong Lixi (does it need to be said), a few of her CGs are beautifully drawn, but for the others, you can have a little dessert.
There are also old and new vertical paintings on the same screen. If there are more violations and more violations, the poor and bitterness will come out from the screen.
When 5pb was in Chaos;Child, it seemed that the money was not paid in place. I don't know what happened.
4. Can anyone explain to me why かがり looks like Kurisu.
Aside from a certain line where she's going to become Kurisu, and Okabe's imagination, the setting similar to Kurisu is far more destructive than its effect. Also, as I mentioned earlier, in the prologue, it is said that Maho is very similar to Hong Lixi - this kind of script is not enough, and the small actions that come together with feelings are a manifestation of lack of confidence in the script itself.
In a word, don't all come and post my Hong Lisu.
The role of かがり basically serves the role of Mayuri. If you escape and meet the boy Okabe by chance, it is forcibly contacted, and you can see it. かがり, Nakagase Komi, Kaede Kajima... A lot of characters who feel very inexplicable revolve around Mayuri, what are they going to do, I will talk about it later.
5. The line between Zhenfan and Mengyu's sisters, together with the role of Professor Reis, is basically broken.
The part where Tennoji was cleaning with a group of people was really embarrassing. This also reflects a common problem in the script of this work, the characters are too purposeful. The new characters are born with a mission, and the old characters should also be used for waste (of course, the old Lihui is also), such as the role of Xuan, if she is not allowed to go to Phyllis's house to clean up, basically the whole process is soy sauce, she is old. Dad can still help fight, and she has no sense of existence except for a vertical painting.
But in fact, it doesn't matter if she doesn't have a sense of existence. As a less important character in the previous film, this work can be a little bit portrayed so that she can exist harmoniously. The result of deliberately seeking to make up for it will only be imbalance and fragmentation.
Speaking of this thread, I suspect that this thread was not written by Lin Zhixiao. Metropolitanism (the real Kurisu enters the Amadues) is a very unappetizing problem, and basically it can't be solved. The character of Professor Reis is very unsuccessfully portrayed, his motives and actions are hilarious, and he just acts as a very facial expression of hostile forces other than Stratfor. The relationship between Zhenfan and Mengyu will not be discussed.
In a word, this line is full, in order to make up six endings.
6. Suzu Yu, Yuji and barrels are more functional, they are mainly used to make fun, to give fat house fantasies and to earn a little family tears.
However, although they are all formulaic things, they are not annoying, probably because of the skillful technique.
The only thing that goes against the grain is the fact that かがり was reorganized into Yuji in some lines. Approaching the barrel to obtain information, for fear that Lingyu would recognize it, and reshape it into something like Yuji lowered his guard, forcibly can also be explained.
No, it should be said that it is very reasonable - the goddess is close to the fat house, how can it be really because of love, there must be other reasons.
7. There is not much to say about the role of Liuhua. It is stable and stable. His dad hasn't seen it yet, but this one is even more stable than Liuhua, and the pajamas are really as stable as POI.
The only regret is that in the line where Liuhua died, he didn't show his face until he died. It is estimated that Huke did not have the confidence to portray his beauty.
There is also Okabe holding his portrait, his face is too long. It's really too long, how can there be such a long face, I know the reason, I wonder why the face is so long.
Huke, what's the matter with you, can you serve dim sum?
8. The professor who has always put his right hand on his chest, a law-abiding role, in line with the player's consistent impression of Europeans and Americans. Bearing a part of the joke, he should die, he should be blackened, and a very competent role.
9. Next is the key point. True sail and "True sail (Saleri) - Kurisu (Mozart)" structure.
There is nothing wrong with the character of Maho itself, but the structure of this double mapping is a failure, at least unsuccessful.
The script put a lot of effort into this, and it can be said that this structure is one of the emotional fulcrums. Maho and Hong Lisu knew each other because they both listened to Mozart. After the relationship deepened, Maho unconsciously brought in the role of Salieri who was misunderstood. Finally, when he learned the truth of Salieri, he faced himself and Hong Lisu squarely. Relationship.
——It seems to be a very delicate structure, why is it unsuccessful? Because first, in this structure, the image of Mozart is absent. Although Hong Lixi has the character of a talented girl in this article, the focus of the portrayal is not in this aspect. Yes, Hong Lixi is responsible for adding legitimacy to the science-related parts of the story, but it is not that she is gifted, intelligent, "beloved by God", but that other things are more plain and more. Something close to human nature.
Why did the script threw the "True Sail (Saleri)-Kurisu (Mozart)" structure to the players for the first time, many people felt that the strength was not enough, because of the Mozart part of the structure missing.
Besides, some bits and pieces, such as Zhenfan and Hong Lixi, have expressions of curiosity as researchers, and they all have the suspicion of forcibly contacting and sticking to Hong Lixi. It's still that sentence, yes The script is not confident, so I can only invite the great god Hong Lixi to show his spirit.
The role of Kurisu is really successful. As the heroine of the sequel, the pressure on Maho's shoulders can be said to be a lot (laughs).
10. Talk about Mayuri. In fact, what this work is burdened with, or a problem that has not been completely solved in the previous work, is - why sacrifice Kurisu to save Mayuri.
What I mean here is not to say that Mayuri should be damned. From the perspective of the entire story structure, "saving Mayuri and giving up on Kurisu" to "finding steins;gate the world to save everyone" is the most critical level progression, This step of saving Mayuri is indispensable. But giving up loved ones and saving childhood sweethearts is not convincing enough for most people anyway. It's just that Mayuri's character itself doesn't have any elements of disgust, so this dissatisfaction didn't erupt. It is conceivable that if Mayuri was not as indifferent to the world as it is now, and a little more worldly, this suppressed dissatisfaction would be greatly amplified.
The character and depth of Mayuri's character is that she represents a unique view of love, a kind of love that a believer has for a leader. The name "Altair at Infinity" is very expressive. Okabe saved her when she was on the verge of collapse. To her, Okabe is like a star in the sky. You worship the stars, but you think Falling in love with a star or even getting married - the same thing.
Back to the plot. In order to give the character of Mayuri enough reasons to make players willing to sacrifice Kurisu to save, this work racked their brains and made a lot of efforts. Including adding a lot of interpersonal background to her, making this character more secular at the same time, and giving her a daughter who looks exactly like Hong Lixi, with her raising "Hong Lixi" to imply that in the original work, she has a relationship with Hong Lixi. Lisu is also an important person... and many other ways to increase the rationality of Okabe's choice.
To this end, the script even made her become another key figure in the "steins;gate" world line. In addition to obtaining the important clue of "deceiving the world", most of the purpose of this work is to ask her to return to August 21, and slap Okabe to wake him up - through this, the script promotes her to be with Kurisu same status.
The way to deceive the world, Kurisu will not die, and Mayuri will return to wake up Okabe on August 21. To reach the "steins;gate" world line, all three are indispensable.
11. Finally, let's talk about Hong Lixi.
I know that everyone loves Kurisu. I won't talk about the original work. In this work, the breast augmentation version that looks like can be used as a shadow to love, and the untouchable love accompanying version can make do with love, or even a reduced version with only a little similar personality. All lovely support the whole work. But what may make people question is why in the original work, Kurisu asked Okabe to sacrifice himself to save Mayuri - today, as a person who loves Kurisu, I will answer this question.
In fact, it is very simple. People with original family trauma basically have a tendency to self-destruct.
do you understand.
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A little follow up:
0's adaptation animation is okay, I recommend everyone to watch it.
Steins;gate is the best visual novel game, and this one doesn't accept objections.
View more about Steins;Gate 0 reviews
