It's been a long time since I watched such cool dramas, and I couldn't help shouting: It's so romantic to fall in love when you're robbing money! Lovely Spaniard!
I always eat this "extreme romance", everything is for love, and everything is for love, what's wrong and what's wrong with this? To live for love and to die for love is the greatest satisfaction of life and being a human being. During the viewing process, I would sigh from time to time: Harm, this damn love.
In addition to idealism, anti-government and anti-capitalism, questioning the law, questioning rights, and the passion inspired by the so-called freedom and justice, what impresses me more is the filming of "people". The whole article did not lose the burden of the robbery because of the adrenaline, but kept slowing down. The interspersed memory pictures are so loving, and each character has a soul. There is a line in "Big Buddha Plath" that I like very much: I think that although it is the space age, humans have long been able to go to the moon in spaceships, but they will never be able to explore the universe in other people's hearts.
There are a few plot points, which may be loopholes or rant points to others, but they really poke me.
1. Tokyo leaves the broken island
A lot of people (including my dad) think that the screenwriter might as well say that the professor is going to launch a second action to avenge Berlin. The beginning of Tokyo and Rio is too much hatred for these two characters. But this is indeed a kind of dramatic conflict that moves into action faster than him. If revenge is to be set up, the pace of the episode may be difficult to grasp, and it does not fit the character of the professor so well. Rio's arrest is needed to promote his behavior. A little bit is also expressed through Lisbon's lines.
Personally, I like the decision to leave the island very much. This is very "Tokyo". Here is a quote from the owner five: I rolled my eyes when I saw "find someone to settle down with", and if I don't "live", won't life be over? I yearn for a poignant point-and-stop, like the fleeting moments of loud bang, and a burning heart and an urgent choice. I believe that I am the key to a certain plot, and I am sure that I am the irreplaceable one.
2. Stockholm and Denver quarrel
In fact, many small details in this drama are anti-sexism, and the quarrel between S and D is clearly expressed directly through the characters' lines. "I'm a mother and your wife, but I'm also a robber. Having kids doesn't mean I have to give up the other two identities."; "Patriarchy is unbearable!"
There are also various feminist small places in the past three seasons, such as the two police bosses are women, and both have the identity of mothers at the same time. There are also Stockholm and Lisbon who have different identities and finally turned to the original hostile camp. I don't think this is a love brain. Don't forget that when S was a hostage, he had the courage to steal the gun and resisted the gun on the thigh. . When Lisbon was a detective, she also relied on her own business ability to catch the professor, and her "insurgency" was also related to her disappointment with the police and government departments. This is a woman's courage, a woman's thinking, and a woman's romance. Including the new female police boss that appeared in this season, I like it very much. Women can be so bold and decisive, and women can be so ruthless, and her stomach will not hinder her from handling cases.
3. Nairobi's confession to Helsinki
Although this love story of "Nairobi loves Helsinki, Hel loves Palermo, and Pal loves Berlin" is a little bit bloody, Nairobi's confession is really cute: it takes courage to love someone, and I dare to say it if I feel it .
The whole drama is actually the "education of love" wrapped in the robbery. Palermo said: "There are lovers and loved ones in love. Lovers are full of passion, dedication and romanticism in their relationships, while the loved ones are only You need to enjoy being adored."; Berlin said: "Don't measure love by time."; Rio finally woke up: "I found myself strong in prison, I used to be afraid of life without you, you leave the island I lost my mind in the next three days, and it felt bad." "I've never loved anyone like you in my life, and it's nothing, I'm only 22, but when I'm 70, I'll still be like this. Say."
Every relationship has a secular time and a sacred time. Love can be in many forms and in many ways. Every character has an independent inner world, so every decision of every character seems reasonable to me.
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