Love this alienating effect. Tell yourself to the camera, and then turn your face into life. Such a shot is real, it doesn't appear in a real life scene, just like a camera entity doesn't appear in a movie. But the camera is there (everything is real only when looking at it), so the narrative continues, a brief awakening of consciousness, and then a half-sleep. This is the separation and extraction of the layered inner murmur of "Under the Berlin Sky". This is a (secular) comment on Krishna's saying: "To be exist is to be with oneself alone before... the Camera." Language is home, the bits and pieces caught in this emptiness , but emptiness is necessary, so the language cannot be congested, so the camera is hidden, so the face is turned into life.
This alienation is also present in the music: it sounds as abruptly as it ends.
The camera is an absolute gaze from above, whereby we are real.
View more about 2 or 3 Things I Know About Her reviews
