, as perfect as a baby bead in a clam shell, the lens is the goblin scratched by Sun Wukong, wandering outside the light of the castle, the only thing that penetrates the mask is Charles' eyes. I have long wanted to praise Jeremy Irons, he is the real god of acting, his nerve endings must be richer than ordinary people, like a tenor, he belongs to a few special non-human beings, for decades, we are all dry winter wood , crawling rough on the earth, he is a multi-leaf, every vein, can touch the freshness of the soil, a day is not just dawn, sunset and night, for him, a day can be a thousand kinds of light. When Brideshead revisited, Jeremy Irons was a 33-year-old rookie who made him famous in a few supporting scenes, reuniting with Celia for dinner, and he just listened to her with his hands in his pockets, but you just couldn't take your eyes off him. He was a dormant larch slope, silent, motionless, just leaning there and listening, everything made sense. Acting with his eyes, he is the ultimate, those small eyes, between 11 episodes of TV series, two wars, Britain and Italy, and Oxford Brideshead, it is thrilling and thrilling. If love is a myth created by human beings, Sebastian is Charles' dream on earth, which has never changed from beginning to end. Seeing Charles peeking at Sebastian, my name is Oh! No, don't be gay again! Not just gay, Sebastian's attraction to Charles is almost divine, and everything about him shines. Jeremy Irons wrote an epic with his eyes, from first love to death. Love Julia again, love her through the same charming beauty, or love her brother Sebastian? Dream love has a perfect ending at this moment, how many times can it be combined with dream soul? It is a perfect aristocratic life style painting, religious psychodrama, luxurious production, beautiful language, vivid plot, and it still seems full of charm today. It's just that it can't compare with the realm of "A Dream of Red Mansions". Charles completely worships Bridehead, his perspective is almost opposite to the emerging social trend, and even his initial skepticism about religion has come to an end at the end of the play. That sheer envy can sometimes seem ridiculous, and it's hard to tell if Charles is fascinated by Sebastian's freedom, or the whole way of life he relies on. Maybe emotions are not pure and rational in the first place, so they burst into uncontrollable wild brilliance. Who can be like Charles, from youth to middle age, from the West to the East, from the rich to the poor, to follow Sebastian without regrets and love him all his life? No matter what the reason is, even if it is only for a minute and a second, there is a person who is so radiant in your mind and irreplaceable, so bless you.
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