Just finished watching the 1943 version of The Phantom of the Opera. It's really nice that every character is alive. Although there are not many movies I have watched, I am willing to think more about the intentions of the screenwriter and director of each movie. The disfigured violinist was clearly a tragic figure, pure and introverted, and the kind of love reserved for the outgoing and popular Chris felt out of admiration rather than as real long-lasting. Feelings, what I am adhering to now is the same, there are many girls like Chris Dian who enjoy the feeling of being pursued, and they are very useful in them. Does Chris Ding really have no idea who the training he has received for so long has come from? Last time I took a mental training class, I also talked about this, enjoying the contributions of others without expressing a clear point of view, which is easy to cause misunderstandings and more serious consequences. The cop and the tenor are reconciling characters, and I'm sure anyone who sees them will like them. There was a scene where the original female lead singer was drugged off. Chris's first reaction was to find the female partner next to him to express his joy and let me see the end with tinted glasses. The ending ends with the violinist's death as no surprise, but the bud of a false love and bad communication, and vanity. It has a very ironic effect on this seemingly happy ending.
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