Red Balloon and White Balloon, the two films I deliberately watched together. As a result, the Iranian film White Balloon, which was written by Abbas and directed by
his assistant , was personally embarrassing and finally comparable to the master.
When Beauvoir talked about American literature in the past, he said, "Realist works that travel across the ocean to another
country will be covered with a false poetic color." Unfortunately, I think the current Iranian films are becoming more and more
Going this way deliberately . The innocence and suffering that originally belonged to Iranian art films, the natural appeals of religion and human rights have gradually
become deliberate and vague. Especially in children's movies, although the child's face is still innocent, in fact,
the child is gradually placed on the path that the child should take in the imagination of adults, and the child's own ideas are ignored.
For example, in the film, in order to get back the money to buy goldfish from the trench in the sewer, the director casts the children into the clichés of the adult world just to show the status quo that the disadvantaged
groups are ignored by the society. Some superfluous detours are
actually not thought of by children. In fact, children often solve their own
problems . The filmmakers did not realize this. Instead, from the perspective of adults, they shot a film with a lot
of metaphors, probably dedicated to foreign audiences. Film.
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