Going to see the two male protagonists who are born to be good friends, I just want to say that the plot unfolded by God is too exciting. You will always be played between your palms by fate, sliding from one finger gap (pit) to another. (Pit), and the legend of the British drama is that it can fill the dug hole without leakage, even if the fuse is only a Nokia mobile phone.
First of all, let's talk about our two talented leading actors, who are both the actors of this film and the screenwriter of this film. It seems that writing scripts and filming are not separated these days? Sam's actor is Mathew Baynton (arguing my conclusion again, all the guys named Mathew are handsome guys), and they are very rotten in the play. The little habit of taking a deep breath with a bag when nervous is poking at the cuteness. The sexy hot dance in a certain episode made me unable to let go for a long time. The fragrant shoulders are exposed, the breasts are bare, and there is no career line to wear deep V. Brother, you are the screenwriter, you are the biggest, you dare to be self-defeating in an upright life, or is this the true portrayal of your daily life? I feel sorry for the uncle of the Russian gay. His two lines of dialogue are full of affection. I can't wait to break Sam in minutes. One is "So you are not a male prostitute? But you have already attracted me deeply", and the other is widely praised, "Little beauty, never grow old", how much narcissism can you write such a disgusting line! Of course, these are not the key points. The climax is that Uncle Gay and Sam contributed a kiss on the screen. You read it right, Sam didn't avoid it, although he looked embarrassed and looked disgusted. Phil, who is a base friend, can't stand it anymore. Well, "We are very happy together, you and me, I want to tell you that no matter what happens, I don't regret it for a second." This posture is the rhythm of confession. However, selfishly, I hope that Sam and Uncle will break through together. It's all because of the resurrection that brought me down the road of no return to Uncle Control.
Returning to the topic, in fact, after watching the six episodes, I still can't figure out the inversion in it. There are too many branches, and each branch has a subtle direct or indirect connection. The two basic friends are actually possessed by Conan. Some people joked that the humanoid would be a machine, and there would be murders wherever they went. What I can't bear is forcing the uncle of the secret agent to make such a handsome debut. I thought it was so cool and crazy, but he was killed without defense. Sure enough, only the protagonist has the halo of immortality. A very dramatic scene is that the kidnapped woman changed her face in a second. She was unscrupulous and ruthless. It was almost impossible to learn how to frame it. It instantly made me travel to the set of "Gone Girl", and I was brought to justice at the end and praised. I really like the thinking on some details in it. Uncle Gay has a special set of theories for his captures. People who shoot under the freeze frame have already presented the best side in front of the camera, which is more serious and contrived, and less natural. and kind. In the face of unknown progress, the logical reasoning that is taken for granted may not be correct. The twists and turns of life are filled by accidental mistakes, which is also the inexhaustible source of life so beautiful.
This type of film always makes me think of Guy Ritchie in the first place, and by superimposing all the coincidences, I play with my own dark humor. And the principle of one fat and one thin male protagonist is copied from Simon Pegg and Nick Frost, which can be regarded as the TV version of "Blood and Lovely" (the nickname of blood and ice cream), a pair of mindless and unhappy. Especially love the episode 1 episode, "Get Me Away From Here I'm Dying" by Belle and Sebastian.
View more about The Wrong Mans reviews
