Many years ago, a guy with a shoehorn face and not much hair left, but he developed a proud figure, put Shu Qi in the trunk, sent it away as a cargo, robbed it back, and let it go later. Coupled with a tossing of punches and kicks, Jason Statham achieved his status in the arena. Then there were three "Very Human Traffickers" in a row, making this character who drives a black Audi and wears a black suit, white shirt, and black tie a classic.
The super courier created by the famous French editor and director Luc Besson has both ruthless, sturdy and other star qualities, coupled with a neat outfit and gorgeous skills, so that this series of works is still in three works. There are many people who want to watch it, so this series produced by him came into being with the investment of HBO.
It's still the black Audi A8 chariot, the outfit, the proud muscles, and the constant companionship of beautiful women. Even the supporting role, the French detective, is the same person who was hired in the original movie, but only the male protagonist. Instead, Jason, who seems to be a Hollywood first-line action star now, seems to be unavailable and can't afford it. However, after watching the whole play, this male protagonist who seems to be slightly inferior in energy is not inferior at all in fighting and driving. The whole drama is full of endless racing cars and full martial arts that are staged at every turn. The beautiful female customers are not spared, and the passionate scenes that I have just tasted make my heart feel unbearable. It's not that the domestic version has been harmonious, anyway, when it comes to that critical moment, there is always a feeling of being cut.
The whole play revolves around the male protagonist's fights one shot after another. When it is obvious that the battle can be easily resolved in an instant with a gun or other props, our Frank, who has an indescribable confidence in his own fists and feet, is stunned. Beating someone down, as if there is a subtext: I just want to beat you down with my fists, are you convinced?
As the highlight of the whole drama, drag racing is featured in every episode, and it is definitely a big book. The striking four-ring car logo is often featured repeatedly, and it seems that a similar show was arranged separately at the beginning of episode 9. I can only say that this advertisement is really spared no effort and has no morals. After watching the whole show, I really want to know how much money Volkswagen has sponsored.
Under the influence of the above two important elements that must exist in every episode, there is not much time for the director to arrange other plots, so the whole drama seems to be relatively weak in terms of story, and every episode is rushed. The suspense is revealed, or the mastermind behind the scenes is directly smashed, which makes people look a bit boring. I don't know why I didn't choose a more complicated setting. It can take two to three episodes or even longer to solve the problem. method.
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