Visconti's old film, "The Postman Always Rings Twice" was adapted into a film for the first time, but the plot was simplified without the design and hint of "twice". Compared with the original work, the suspense and tension are not so full, but the performance of the characters, especially the eyes, seems to convey the emotions and desires that the original work did not express. The black and white old film, the sound is not clear enough, and the Chinese subtitles seem to have some problems, but relying on the body language of the characters, there is no obstacle to understanding. This is probably the most different place in the old film from today, right?
The plot may be a little dark, and the fateful result may be a little suffocating, just like "The Bicycle Stealer" and other Italian realism styles are consistent, but the church bell rang from a distance, deafening and deafening, is it fate? or something else?
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