"Love Picasso," starring my favorite Antony Hopkins. I've been wanting to see this movie since high school, and it wasn't until yesterday that I fulfilled my long-cherished dream.
All other questions aside, I'm going to talk about the film's theme. As a great artist of Scorpio, Picasso is wild and uninhibited, charming, and it is normal to attract countless women. As in the film, when Francis leaves him for the last time, he bursts into tears and ends up walking down the stairs and saying to her, you'll be back in a week. No one can leave me Picasso, you are nothing without me. Today I read Mr. Liu Xiaofeng's article "Looking at Oneself Through Other People's Desires", I feel that Picasso is very similar to Henry Miller, thinking that women are only his "props to confirm himself", so he will only feel uncomfortable when the woman leaves, and doesn't care whether he is Specifically which woman, there are so many women who are willing to throw themselves into the net anyway, and they are overwhelmed. Today Francis can't stand my indiscretion and left, and tomorrow Francis will deliver the goods to the door and throw them in his arms, and then send Women's tragedies are repeated over and over again. And every woman is a unique and unrepeatable individual life, but they are ignored and thrown away one by one.
The reason why Francis surpassed Picasso's many lovers and became the heroine of this film is because of her last attempt to leave and succeed. Like other women before, she was entangled with grievances, coming and going, back and forth, and she couldn't bear to make a firm decision. Of course, however, a man cannot give the same love as a woman, and it is even less possible for an artist. Women give only physical and artistic inspiration, some give life, but they don't care. It was this last success that made her become "a new woman" with a new look. "It is only through one's own narrative that relationships can be reversed. Being the subject of a narrative does seem to be crucial to being a person - whether a man or a woman." The power of the story. The world is really different." Only when a woman becomes the subject of the narrative can she truly become a woman. In other words, treat men as their "prey" or "fish and shrimp" instead of blindly being a man's "prey" or "fish and shrimp". A woman who can do this is a real woman. And I don't think any woman is born a real woman, no matter how Asian America, black or white, no matter how their society defines women and the relationship between men and women, women have to experience and torture before they finally realize, and then it may be It's too late for beauty.
But it doesn't matter.
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