Heavily armed riot police, with their hands on their heads and shabby clothes, the riot police used protective shields to form a wall to block the media, and illegal immigrants focused together to form a group of people who could be demolished at any time, but every brick was extraordinarily hard wall. Even if the reporters' cameras meet the police's batons, their heads will not lose focus. The migrants were left homeless when they were driven from the shelters by batons. This is not a movie, this is life.
French Immigration Minister Eric Besson said: "France will not allow another Sangatte asylum, a place that is used as a rear base for illegal immigrants to reappear."
And NGOs for the interests of immigrants can only Signs outside their shacks for illegal immigrants state feebly that the shelters are only for "political discussion, cultural exchange, and entertainment" and are "open to 'members' for a limited time."
And those migrants who are homeless and have nowhere to go can only protect their last interests with banners on the edge of the Calais woods where they live: "The woods are our home, please don't destroy them, if you do this After that, where else can we go?”
The current French President Sarkozy had closed the Sangatte shelter, which was the focus of immigrants in Calais at the time, during his tenure as French interior minister; high capture policy. At the feet of the Gallic rooster, they gasped helplessly, every breath so difficult.
Illegal entry was filmed in such a large environment. When people gradually forgot about these struggling people in northern France, illegal entry once again brought the immigration issue back to the center of public opinion. Illegal Immigration has a simple character setting but has a delicate emotional portrayal. Simon appears in the play on behalf of the vast majority of Calais people. His life is troubled by loneliness. He is about to start a lonely life without a wife and no children. This man is like the sea of Calais, calm on the surface but inside. There are many emotions surging (in addition to the immigration issue, the inner spiritual life of such a group of people has also become the object of the director's attention, and beneath the calm exterior hides the resentment or hatred that loneliness and alienation endow him). Simon's wife, Marion, works in an NGO in her spare time, and has deep compassion for the disadvantaged in her heart. Simon's neighbors, along with customs police, formed a wall of illegal immigration. The most fascinating thing about the movie is the main line of Bilal's love for Mina, training desperately and swimming desperately to Dover at the end of Calais. And every illegal immigrant who comes to France does not have a dream.
Both Simon and Bilal have had crises in their lives, and I think that's what really binds them together. They all have a deep desire to love and be loved, but the world is too cold. Even if you can travel unimpeded within the Schengen treaty country, you can't escape the fact of losing love. They went on the road together, such a route, knowing that it would never be possible to cross but still needing deep courage, they escaped the world together and went crazy for this plan together, and all they begged for is a little warmth. In the end, Bilal slept in the deep sea, and Simon's eyes at the end were still as lonely and helpless as when he was about to face a lonely life. How dazzling the broadcast scene at the end is. Equally dazzling are the thousands of bright things in the world.
What a great metaphor for immigration!
The last shot at the end suddenly jumps black from Simon's specificity, just like our dream, ruthlessly killed by the shot of life.
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