[1] The boy on the truck suddenly insisted on not wearing plastic bags, which gave me a sense of disobedience, because this behavior was not explained, and I couldn't think of a common rational reason to convince myself. And I had already entered the film, and this sense of disobedience suddenly forcibly threw me out of the film, so even if the plot explained this behavior later, I still had this uncomfortable feeling in my heart, and I couldn’t substitute myself. Explain that if you put it before getting in the car, the audience will have more interest and tension in anticipating the progress of the story. [2] Why is the husband still a sleep-in boy when he was told by lawyers, police and his wife that it was illegal to sleep-in refugees? What the film shows is that the boy is talented in learning to swim, and there are no more pictures depicting personal feelings. It is nothing more than the boy showing his husband a picture of his girlfriend. Even if there is, can this kind of feeling be so strong that people ignore their own safety? [3] The ending suddenly and inexplicably tells us that the gold medal is on the boy, but the film does not explain more. What does this detail want to tell us? I think the audience's first reaction must be that the boy stole the gold medal, and the director seems to acquiesce to the correctness of this idea without explaining anything. Therefore, through this detail, it can be seen that this movie, which seems to be accusing the government, is still catering to the government: Look, refugees are as bad as propaganda. I stayed with him, and he even stole things.
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