Love is back from a crash, wearing the title of David Fincher's producer, and Zhuyu is in front. Whether the eight groups in the second season can continue to write miracles must be the worry of most fans.
This movie rating collection describes the author's superficial understanding of each episode. If you haven't watched the episode, please detour.
E1: Automated customer service
Under the threat of artificial intelligence, the torture of human nature. The continuous expansion of scientific and technological capital squeezes the living space of human beings.
The film is set in a seemingly ideal resort where the sun never sets. Technology has penetrated into every part of people's daily life. People's reliance on artificial self-power seems to have reached an absurd level. , Only by giving up the life of the pet dog in exchange for temporary safety, what will the grandma choose? Ideally, in the film, the grandma and the puppy work together to "kill" the sweeper. The title of the film "Automated Customer Service" seems to be automated, but it is actually a rope that binds humans. The more humans rely on intelligence, the higher the cost of losing control of intelligence, and even life in extreme cases. In the end, two old men and one dog embarked on the road of escape, which is quite a tribute to "Bonnie and Clyde". The former was alienated by society, and the latter was squeezed by the expansion of capital monopoly.
E2: Ice
When modified people become mainstream, what should human beings do?
Psyche is a human being, but in the context of the mainstream of human modification, the human body without any modification has become an anomaly, so she has been discriminated against by the modified people, but the limitation of the body cannot limit the ambition and dream of human beings. He wants to prove that although he has not been modified, he still has the ability of a modified person, and "watching the ice whale" is just a projection of his inner appeal. I finally saw the scene of the ice whale. Can it show that while the expectations for the emergence of perfect new human beings, human beings already have vague concerns, including, whether the modified people are still biological people? At the same time, is there still a place for humans in the future of modified people?
E3: Assault Squad
The era of immortality in the sense of engineering is coming, and human beings rethink the value of life itself.
With the accumulation of primitive capital, human beings inevitably move towards thinking about immortality. In this film, human beings have the ability to use wealth to resist aging and achieve immortality, but in order to maintain the normal load of the earth, "chasing and killing babies" came into being. As a killer, maybe a baby is just an item to him, and killing a baby is like throwing a waste product into the trash can. But the genius of the film lies in the connection of dinosaur toys, which reminds the male protagonist at a critical moment that the child, like his noble wife, is a living being. Since life has no distinction between superior and inferior, who will decide whether to live or die? The male protagonist asked a mother a sentence: "keeping it locked up?" The mother said: "Her. Her name is Melanie". This dialogue shows that in the eyes of the mother, the baby is a human being, referring to the human Her, not the It of the object. When human beings can live forever, the value of life will not be overnight, let alone a minute and a second, but human beings are animals that do not know how to cherish. When there is no limit to the dimension of time, where is the hope of life pinned? What is the value of life reflected in?
E4: Snow in the Desert
This episode is the most insensitive episode among the eight episodes. Except for the visualization of "wasteland", there is no special impression in other aspects.
E5: Tall Grass
A tragedy caused by getting out of the car in the wrong place.
The fifth episode is very interesting. The title of the film is "high grass". Another meaning of high grass represents the curiosity of human beings, and is always curious about things beyond the line of sight. The plot of this film is similar to that of "The Ferryman". A man got off and smoked when the train stopped by the wasteland. He was attracted by a rustling sound into the tall grass, and was chased by "undead". These undead were ugly in appearance, and what was even more frightening was that they had an almost fanatical possessiveness. . If the whole film ends abruptly when the man is rescued back to the train, then the film can be said to have lost most of its luster. The essence was in what the flight attendant told the men, that the undead were once human, lost their way across the plains, and the others got off the train in the wrong place. "The train always loses power as soon as it arrives here, and then it's like a door opens. I guess it should be a door to other worlds." Some people passed the test and continued on to the next journey, while others chose to get off the car at the wrong place, embarked on the wrong path, and even parted ways with their goals. If you're lucky, you'll meet someone like a flight attendant in your life to pull you on the right track and take you away from the huge web of human weaknesses woven by desire, selfishness, competition, and more.
E6: The whole house
Never use stereotypes to define a person.
The sixth episode tells a very simple story. Two children are waiting for Santa Claus to arrive on Christmas Eve. Who would have thought that the figure of the old man with the white beard, the red hat, and the loving face turned into a monster with a disgusting saliva. , However, this monster actually gave the two children the gift they wanted, and praised them as good children. Here, in fact, it is the thoughts instilled by the parents that are at work. Whoever said that Santa Claus must be a grandfather with a loving face. In other words, if the appearance is ugly, why can't there be a heart of gold. "Notre Dame de Paris" is the most vivid example of the discussion of external beauty and internal beauty. Quasimodo is ugly but kind-hearted, while Claude, who is sanctimonious, is a snake and a scorpion. For children, the sooner you teach them this truth , the easier it is to teach them to "recognize people."
E7: Living Cabin
The extreme ego of human beings under the shell of self-help is extremely narcissistic.
This is a story very similar to the first episode, an attempt of infinite narrative tension in a confined space, but obviously, this episode is far from satisfactory in terms of novelty and expression. Human beings continue to explore the domain that is at their disposal, but in the end they are reduced to confinement Being chased by artificial intelligence in a safe house. Selfish desires continue to expand, causing such evil results, without the slightest regret.
E8: The Drowned Giant
Fall of beauty
When a naked giant who looks like a beautiful man in ancient Greece suddenly floats up from the sea, how will people react? There will be tourists, researchers, the media, government personnel, and engineering teams. This episode features a scientist's confession, a lonely man's grief at another "beautiful" soul being trampled on. The fall of "beauty" is not a pity. It is a pity that "beauty" was trampled on by the "ugly" and "ignorant" people for no reason. They disintegrated and finally fell apart day by day. Since then, the beauty of the world only exists in history, and the ugliness has continued to the end of the world. Beauty and ugliness here does not refer to appearance, but a spirit. It is a kind of spiritual enjoyment, a kind of appreciation and reverence. This episode is more like the episode with the most humanistic thinking in the second season. After all, it must not be machines or monsters, but people and humanity.
The feelings for the second season of Love Crash are very complicated, I hoped for this, but I was disappointed. It is difficult to have the surprise of "Qi Ma Lan", and Cyberpunk has not been able to compete with "Sonny's Advantage". Maybe the first season is too bright, and it takes the courage of the creator to get out of the frame.
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