After watching eight episodes in one go, I slept again. I kept thinking about how to write a drama review. After thinking about it, I didn't have any farts. I wondered why I couldn't write farts. After thinking and thinking, maybe these eight episodes are really not worth it. What a very thoughtful evaluation.
I don't have much expectations for the second part. The history of science fiction is not very long. After reading several well-known writers, I can't find the feeling that every story is very novel at first. I am very satisfied if I have any, paradoxical emotions that are not easy to perceive in real life. For example, Qima Lan, which many people liked in the first season, and Blind Spot and Big Fish, which I liked very much, both brought me some mood swings that I couldn’t fathom, but couldn’t ignore. This has been hard to come by. (Actually, I think it is still incomprehensible that Qi Malan has so many praises, because there must be most people like me who do not have enough life experience, and they certainly cannot deeply understand the significance of possession and abandonment. Others The charm of the episode is somewhat overlooked by everyone.)
Looking at the second part with this idea, these are some relatively mediocre or slightly excellent science fiction works. It is certainly difficult to match such high expectations.
The first episode of Full Auto and Tall Grass are two episodes that I think can be completely deleted. They are extremely vulgar and bland. I think it's a waste of a few minutes to look at it. The survival of the protagonist of the tall grass is indeed not in line with what I imagined, is it a bright spot? Some commented that this episode is about the relationship between man and nature, it might be a little higher, but I can't see it, and the author doesn't seem to be sending any obvious signals.
The "Ice" episode is okay, and it can be said to have completed the task of providing a great visual experience, but it really has no connotation. I can understand this. Sometimes the birth of short sci-fi works is only due to a picture or a setting, and it is really not easy to add the output of values. Some hours of movies are still empty shells.
My favorite is the pop squad and Santa Claus episodes.
The pop squad is somewhat similar to Blade Runner 2049, but has no androids and is not very similar to cyberpunk.
This episode focuses on reproduction, but there is no discussion, and there is not much room for discussion. If there is one or two lines of thoughtful dialogue, it may be abrupt. There is nothing very exciting about the plot, but the whole is here. One season stands out. (The heroine reminds me of Detroit's Kara, who has delicate facial features, is very friendly, and has a spirit of resistance. It's really a prototype.)
This episode of Alien is the subject I am more interested in, not aliens, but the adventures of children. I am deeply impressed by this style of a short story "Father's Monster" by Philip Dick, so that the sister and brother got out of bed and I I feel like there are monsters. ("The Father-Thing" is a very interesting article. The content is basically the same as the Alien Flower, and the name is very similar to the Thing, but it is two years earlier than the Alien Flower and two years earlier than the Alien Flower. More than ten years. Before I checked it, I thought it was a pkd article in the water. After checking it, I could only say nb.) This should be the shortest, but it really gave me the most thinking. It's not what happens to a good boy, but a very Reality question: If something in your life you've been looking forward to comes up in a face you don't like, can you still accept it? You found a very compatible opposite sex, but her appearance is not outstanding enough, or she finally got the first place in the class, but she missed the exam for the first time before, which is more profound to me than the drowning giant.
The reason I'm watching the safe house is just Michael b Jordan. It is also a work produced only by an idea or an image in my mind.
This episode of Snow in the Desert is also average. The male protagonist's fighting power is really shaky, and the foreshadowing for him is really confusing. This episode should have undertaken the task of this season's restricted level, but it is not yellow enough and not violent enough.
Drowned giant. It can be seen that the director wants this episode to play the task of raising the height of the mind, which is confirmed by a large number of monologues and a very beautiful giant. However, there is nothing new in this kind of airborne elements from other worlds, and the value of the world is not enough. Gulliver's Travels has been published for nearly 300 years. Does the director really have a clear conscience for this episode?
Personally, I think there are only two purposes for short stories: either to tell an unusual story with tears and laughter; It's not that an idea or an imaginary picture can't breed a good work. This season, I can only say that pop squad and aliens are a bit of a touch. I vaguely remember that love death and robots have the purpose of showing animation production technology, so ice is not bad.
This is the first time I feel that writing a review is so painful, it really stinks.
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